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Showing posts with label publishing trends. Show all posts
Showing posts with label publishing trends. Show all posts

Friday, November 21, 2014

Trends, Tie-ins and Writing From Your Heart. Possible? Carrie Turansky

Authors are often told, don’t try to follow the trends, write the book of your heart. But does being aware of trends and what’s popular in culture, and choosing to write about it, mean you aren’t writing a story that comes from your heart? I think not!

I believe what people actually mean when they give this advice is: don’t just follow a trend for the trend’s sake, and don’t try to write a particular genre just because it’s popular. Write a story you are passionate about, one that comes from your heart. 

And I agree . . . but I do think you can follow a trend and write a story that you and your readers will love.

In 2012, Downton Abbey was just becoming popular. I enjoyed the show, and I wanted to write longer historical novels, but I wasn’t sure I could write a series that required so much research. After doing some reading about the era, I promptly fell in love with it and decided to create a proposal for The Edwardian Brides Series. I used some of the same elements that made Downton enjoyable: characters from both the staff and a wealthy, aristocratic family; a beautiful English estate as the setting; and important events and issues from the era as part of the plot.

When I pitched the series I said it’s like Downton Abbey meets Jane Eyre. This piqued the interest of several editors, and soon I had a three-book contract. The series was connected to a popular trend, it was a time period that was interesting, but had not been overdone in CBA, and it was the type of story that I loved to read and wanted to write.

Tying my book to Downton Abbey has been a wonderful marketing tool and a great connection point with readers. We mentioned it in the back cover copy and the endorsement on the cover. We used it in our book launch promotions and often use Downton Abbey gifts in our giveaways. I gave my website a makeover so it had an English Historical feeling similar to Downton. I joined a few Downton Abbey Facebook Fan groups and set up a Downton Abbey list on Twitter. I set up a Google Search for Downton Abbey articles and often share those photos on Pinterest, Facebook, and Twitter. I visited the Downton Abbey Costume Exhibit and even traveled to England and Scotland to visit two filming locations for Downton Abbey. I used that research in my books and shared those trips on my blog, email newsletter, Facebook and Pinterest, and my readers love it. 

My publisher created a special poster they distributed to libraries all over the US called “Downton Abbey Read Alikes.” It included my book and several others. This gave me another opportunity to connect with Downton Abbey fans.

I’m not the only author who has ridden a trend with good results. Several authors including Cathy Gohlke, Tricia Goyer, Janice Thompson, and others planned ahead and took advantage of the 100th Anniversary of the sinking of the Titanic, using that as a back drop for their stories. Other authors like Julie Klassen and Katherine Reay have connected their novels to popular author, Jane Austen. Julie’s books are historical, and she has used her Austin research in marketing her books and connecting with readers who enjoy Regency novels. Katherine’s books are contemporary, but she uses themes and quotes from Austen in beautiful ways in her award-winning books. Cara Putman used the popularity of The Monument Men as a tie-in when her WW2 historical novel, Shadowed by Grace released. And several WW2 novelists recently joined together for a promotion remembering the 75th Anniversary of the beginning of WW2. Very clever ideas! 

So do write the story of your heart . . . and do consider cultural trends, historical anniversaries, unique settings, popular authors from the past, and other tie-ins that might allow you to connect with new readers and expand your audience.

Carrie Turansky is the award-winning author of more than a dozen novels and novellas, including Surrendered Hearts, Snowflake Sweethearts, and Along Came Love. She has been the recipient of the ACFW Carol Award, the Crystal Globe Award, and the International Digital Award. Turansky’s first historical fiction novel, and the first in the Edwardian Brides series, The Governess of Highland Hall, is a 2014 Carol Award finalist. While Turansky has been writing articles, devotions and essays since 1999, writing fiction is her passion, and she’s thankful for the creative ideas God has put into her mind and heart.

When she’s not writing Turansky enjoys spending time with her family, working outside in her flower gardens, cooking healthy meals for family and friends, or walking around the lake near her home.

To keep up with Carrie Turansky, visit www.carrieturansky.com, become a fan on Facebook (AuthorCarrieTuransky) or follow her on Twitter (@CarrieTuransky) and Pinterest (CarrieTuransky).

Saturday, October 19, 2013

When is it Good to Self Publish?

When I first began going to writers conferences around 2003, vanity publishing (now called self-publishing) was considered only a dire writers avenue to get his poorly written manuscript to the public. These novels were not given any credit by publishing gatekeepers (such as editors, agents and book reviewers.)

A decade later and this attitude has changed a lot. Though some still hold the above attitude, it is diminishing and self-publishing is no longer considered the last nail in a writer-wanting-to-be-an-author coffin.

Just this past September, I attended a talk given by well respected literary agent Rachelle Gardner, a self-published author herself whose book highlights traditional vs self-publishing. She gave a talk touting some of the benefits of pursuing self-publishing and in some instances considered it a bonus to an author’s career.

What?!?

The dizzying pace of these changing attitudes can leave you scratching your head.

Personally, I’ve seen several close friends of mine pursue self-publication and have moderate success. By this I mean they earned back the money they invested in preparing the manuscript (for editing, the book cover and interior design) and perhaps have earned a couple of thousand dollars. A smaller minority had great success and went on to further get traditional publishing contracts.

What I’ve determined is that there is a good time and place to consider self-publishing as an author and here are some of those situations to consider.

1. You have a polished manuscript but it can’t find a home with a publisher. First, I want to qualify what I mean by a polished manuscript. This is much, much more than finishing a rough draft that your mother and friends slobber over. They’re not good book critics because they love you and don’t want to hurt your feelings. It means that it’s been professionally edited, at least twenty people outside of family (and are familiar with books, genre, and good writing) love it, and maybe your agent even shopped it around but it couldn’t find a home. An even better indicator of this caliber of manuscript is that it’s finaled in a well-respected writing contest like the Genesis Contest sponsored by ACFW. It takes six to ten years to learn the writing craft and a couple of written books under your belt to fit this definition.

2. There will be a delay in books releasing between your traditional publishing contracts. What I’ve heard and read is that it also takes six to ten years to build a readership. During that time frame, it’s wise to have a book releasing no longer than once a year. Some authors do more—some do less but you want a predictable stream of novels to keep readers’ interest piqued. This is the issue I’m facing. My current publishing contract for the Bloodline Trilogy is complete and the book proposal my agent is shopping around hasn’t been picked up yet. Even if I got an offer at this point in time, a book likely wouldn’t be released until 2015. This is one reason why I’ve decided to self-publish in the fall of 2014.

3. You are a control freak. Creatives like control over their product. Publishing is not that way. It is a collaborative effort so some of what you love about your creation is going to change. Some people enjoy all aspects of the book publishing process and want to have final say over every aspect—going strictly with their vision. Self-publishing is the best venue for the author to maintain total control. You also have to front all the cost and carry the entire burden as well for marketing and distribution.

4. You want to maintain your rights. When you sign a traditional publishing contract, your book is no longer really yours—in a sense. The publisher owns it in certain formats and most often times will have clauses in your contract on other avenues they have the option to pursue—like hard cover large print rights. Some authors don’t want to give this up but then, as in the above, you’ll also be the one to try and negotiate selling the rights in different formats if you choose.

5. Your want to write in other genres. Most often, an agent and traditional publisher are going to encourage you to stick with one genre but few authors I know really want to do that for their entire writing career. These might be good novels to self-publish under a pen name.

6. You want to build volume more quickly to increase income. The flip side of building a readership is how much material you have to offer. When my first novel released, if the reader loved it, there was nothing else for them to read. Now, if they love any one of my books—they have at least two others to choose from. The more books you have, the more options a reader will have to choose and buy another book of yours to read—thus increasing your potential earning income.

What do you think? Have you self-published? Did you consider a success? Would you do it again?

ABOUT JORDYN:


Jordyn Redwood is a pediatric ER nurse by day, suspense novelist by night. She hosts Redwood’s Medical Edge, a blog devoted to helping contemporary and historical authors write medically accurate fiction. Her first two novels, Proof and Poison,garnered starred reviews from Library Journal. Proof was shortlisted for the 2012 ForeWord Review’s BOTY Award2013 INSPY Award and the 2013 Carol Award. You can connect with Jordyn via FacebookTwitterPinterest and her website