Get a Free Ebook

Five Inspirational Truths for Authors

Try our Video Classes

Downloadable in-depth learning, with pdf slides

Find out more about My Book Therapy

We want to help you up your writing game. If you are stuck, or just want a boost, please check us out!

Showing posts with label novelist advice. Show all posts
Showing posts with label novelist advice. Show all posts

Friday, June 19, 2015

Iron Sharpening ~ Tamara Alexander


Iron Sharpening Iron
by Tamera Alexander

“As iron sharpens iron, so one man sharpens another.” 
Proverbs 27:17

Having a writing critique partner has made all the difference in my writing and in my writing journey. Deborah Raney and I have been writing critique partners for more than twelve years, ever since we met at the first American Christian Fiction Writers conference. And while not all critique partners become friends, friendship has been a natural outgrowth of our working relationship, and I’m so grateful. 

Over the course of critiquing twenty-plus manuscripts between us, we have learned a lot about what to look for in a critique partner, what works, what doesn’t, how to handle conflict and competition, and how to “agree to disagree” with grace.

Here are a few quick things we’ve gleaned through our working partnership.

Why have a critique partner?
  • A critique partner (CP) offers fresh perspective. We’re often too close to our own story to read it as an unbiased reader, let alone evaluate it critically. CPs can see not only technical glitches in each other’s work but also story strengths and weaknesses, and ways to potentially deepen the layers of the story and characters.
  • We bring only one opinion or viewpoint to the reading of our own work—and it’s obviously biased. A CP can view our work from a different point of view since they’ve likely had a different upbringing and life experiences.
  • Since a CP isn’t as close to your story as you are, they often come up with ideas or plot directions that you never would have dreamed of.
  • Two people bring two sets of strengths to the table, and can offset each other’s weaknesses.
  • When one of you is down, the other is there to build up! Deb and I are tough on each other, but we’re also huge fans of each other’s work.
  • It’s much easier to see “mistakes/room for growth” in someone else’s writing. Deb and I learn from critiquing each other’s manuscripts, and then apply those principles to our own writing.
  • Brainstorming! With SKYPE and FaceTime, CPs can “video brainstorm” any time, day or night.

Where and how do I find a critique partner?
  • Connect with someone at a writer’s conference or local writers group. And remember, you don’t have to write in the same genre. 
  • One-on-one partnerships often develop naturally out of larger critique groups; so join a group with an eye to eventually working with one other writer as a CP.
  • Ask a well-read non-writing friend to critique your manuscript. A non-writer who loves to read your genre can be an invaluable source for clarity and pacing of story.
  • If feasible, consider paying a professional editor for a critique. Numerous well-qualified freelance editors are available and can add depth and clarity to your manuscript.
  • Sign up for a paid critique at a conference you’re attending. Worth every penny!
  • As you’re looking for a CP, become your own. Read books on self-editing, such as Revision & Self-Editing by James Scott Bell (Writer’s Digest Books) and Self-Editing for Fiction Writers by Renni Browne & Dave King (HarperCollins).

Do you have someone sharpening your writing skills? If yes, what’s something you’ve learned from that relationship? 

~~~~~~~~~~~~~~~~~~~~~~~

Tamera Alexander is the USA Today bestselling author of numerous books, including A Lasting Impression, A Beauty So Rare, To Whisper Her Name and From a Distance. Her richly drawn characters and thought-provoking plots have earned her devoted readers worldwide, as well as multiple industry awards.

After living in Colorado for 17 years, Alexander has returned to her Southern roots. She and her husband now make their home in Nashville where they enjoy life with their two adult children who live nearby and Jack, a precocious terrier.


To keep up with Tamera Alexander, visit www.tameraalexander.com, become a fan on Facebook (tamera.alexander) or follow her on Twitter (@tameraalexander) or Pinterest (tameraauthor).

Friday, September 19, 2014

Terrible, Horrible, No Good, Very Bad ...


Terrible, Horrible, No Good, Very Bad Reviews

Deborah Raney

One of the hard things a published writer must learn is to toughen up where reviews are concerned. I hate bad reviews, whether from professional critics or ordinary readers on Amazon.com. I especially hate them when they aren’t as much about the book as they are about demeaning an author’s beliefs, religion, ethnicity, or personality. But bad reviews are a fact of the writing life, and there aren’t many multi-published authors who haven’t had at least one or two.

I’ll never forget my first scathing reader review (for Beneath a Southern Sky) and it’s still up on Amazon, along with several others, if you want to weep along with me! That review nearly paralyzed me for a few days. It didn’t hurt so much that someone didn’t like my book (okay, they HATED my book). I’m well aware that the type of book I write isn’t for everyone, and there are many different tastes in genre and style. What hurt was that it sounded like the reviewer didn’t much like ME!

When I go back and read that review now, I can be much more objective. I realize now that the reviewer probably has never met me. I don’t think he/she meant the words as a personal affront. But I can also still, after more than a dozen years, remember the deep pain I experienced when I first discovered that review. I actually broke out in a sweat and started shaking—and I’m not usually an excitable person. I shed some tears over that person’s words, and I have a feeling he/she would be surprised to know that.

However, I did something else after receiving that review. I removed an Amazon.com review that I had written months earlier for a book that made me angry. No, it wasn’t wrong of me to post a review respectfully outlining why I disliked this book. But I had made the same mistake I think my reviewer made—I made my review personal, commenting on the author’s personality, not just his writing. I didn’t even know the man, but like my reviewer, I failed to acknowledge that this author was human and had feelings.

My terrible-horrible-no-good-very-bad review (and there have been plenty of others since) gave me two important things: a thicker skin for the inevitable bad reviews to come in my future; and a softer heart for other writers, who are real, imperfect people, just like me.

~~~~~~~~~~~~~~~~~~~~~~~~

Deborah Raney’s first novel, A Vow to Cherish, inspired the World Wide Pictures film of the same title and launched her writing career. Since then, her books have won the RITA Award, National Readers Choice Award, HOLT Medallion, the Carol Award, and have twice been Christy Award finalists. Deb is currently working on a five-book series for Abingdon Press Fiction. Deb enjoys teaching at writers’ conferences across the country. She and her husband, Ken Raney, recently traded small-town life in Kansas––the setting of many of Deb’s novels––for life in the (relatively) big city of Wichita where they enjoy gardening, antiquing, movies, and traveling to visit four children and a growing brood of grandchildren who all live much too far away.

Raney’s newest novel, Home to Chicory Lane, releases in August as the first book in the Chicory Inn Novels series for Abingdon Press Fiction. 

Posted by: Kelly Klepfer

Friday, February 21, 2014

Wisdom from the Multi-Pubbed. A Visit with Robin Lee Hatcher...

by Kelly Klepfer

Tell us a bit about your current project.

A Promise Kept opens as Allison Kavanagh arrives at the house her aunt Emma bequeathed to her — a log home in the mountains. Her marriage of more than twenty years has ended in divorce because of her husband’s alcoholism. She was so certain God had promised to save her marriage, but obviously she was wrong. Now she is moving from Boise to Kings Meadow to start life afresh and find a way to heal from her heartbreak.

Like Allison, my marriage ended in divorce because of my husband’s alcoholism. I was devastated because I’d been so convinced God had promised me He would save our marriage. I had believed His promise through many difficult times, but it hadn’t come to pass. I knew God didn’t lie. Therefore, I must have misunderstood.

But God had many things to teach me in the following years, including that He answers prayers in totally unexpected ways and in His own time, not mine. One of those unexpected ways was realized when my husband and I were remarried more than five years later. God used the divorce to save our marriage! How amazing is that!


What two or three things would you do differently if you were starting your publishing career today?


The first is an easy one for me. I would begin writing Christian fiction rather than having 30 general market books published first.


Second, I would start with a better publisher who actually edited my work before releasing it into the world.

What one issue makes you struggle the most as an author? How do you handle it?


Procrastination. It's so easy to let a million other things distract me when I should be writing. The only way to handle it is to put my behind in the chair, put my fingers on the keyboard, and begin writing. Like so many other things in life, it is an act of will, whether I feel like it or not.


What one issue ignites your passion? Does your passion fuel your writing? What would you do with your life if you didn't write?


When the characters come alive to me and begin telling me their stories. That fuels my passion.


If I wasn't a writer, I would want to be an actress. Although memorizing lines wouldn't be as easy for me now as it was in my twenties, the last time I performed in a play.

We are all about journeys...unique ones at that. How convoluted was your path to your first published book? Share some highlights or lowlights from your path to publication.  


It wasn't very convoluted at all. After a series of events conspired to make me realize I wanted to try to write a novel, I sat down with pen and legal pad and began. Eight months later, I finished it. I mailed out 21 query letters (this was back in the dark ages). Mostly I received rejections, but the first publisher who requested the full manuscript offered me a contract. Several months later, I signed the contract. Three months after that, the publisher went bankrupt. Another six months passed until I sold both my first and second books to another publisher. They were released in January and February of 1984.

Do you still experience self-doubts regarding your work, or struggle in a particular area such as writers block or angst driven head-banging against walls? Please share some helpful overcoming hints that you’ve discovered.


I experience self-doubt all the time. Even after more than seventy books, I still have the feeling that my career is a fluke. I've learned to accept these feelings as part of my creative personality. I don't have to like it, but it doesn't make me afraid as it once did. Another thing I learned is that around the halfway mark in every book I start muttering that I don't have enough story and I'll never be able to make this all work out in the end and whatever made me want to write novels when selling shoes at the mall would be so much simpler. LOL! Again, the only way to overcome is to keep moving forward. Sort of like life.

Have you ever had one of those awkward writer moments you’d like to share with us, the ones wherein you get “the look” from the normals? Example, you stand at a knife display at the sporting goods store and ask the clerk which would be the best to use to disembowel a six foot man…please do tell.


Many, many years ago, I had been struggling all day trying to come up with a particular phrase. It stayed just beyond my conscious thought. In the middle of the night, it came to me. I was awake in an instant, bolted upright in bed, and blurted the phrase aloud, startling my husband out of a sound sleep. He has never doubted the strangeness of his wife from that night on.

What event/person has most changed you as a writer? How?


The Sunday I knew God was calling me out of my general market publishing career and into writing Christian fiction as a means of pleasing Him.


What piece of writing have you done that you’re particularly proud of and why? (Doesn't have to be one of your books or even published.)


While I don't have favorite books—each one was written because it captured my imagination at the time—there are a few books that have touched large numbers of readers in a special way, probably because they came from a deeper corner of my heart: The Forgiving Hour, Ribbon of Years, and Beyond the Shadows. Those stories have opened doors for ministry and allowed me to pray for hurting people all around the country and the world. I believe A Promise Kept will join those other three in that respect.


What aspect of writing was the most difficult for you to grasp/conquer? How did you overcome it?


I used to try to plot out my books the way I heard other people did it. You know. Writing detailed synopses and using charts that showed goals and motivations. Trouble is, I am a total seat of the pants writer and those things made me want to bang my head against the desk. If I figure out the story ahead of time, I don't want to write it because I already know how it ends. So then I want to write a different story instead.


I had to get to the place where I accepted my process as legitimate. Part of that process is that I want to get up each morning wondering where my story and where my characters are going to take me next. I'm on a journey of discovery as I write, just as I hope my readers will be as they read.


There is no right way to write a book. Every writer has to discover what works best for him or her.

What is the first thing you do when you begin a new book?


Set up Scrivener for the new novel. Name my characters. Write first person autobiographies of the main characters.

What is the most difficult part of pulling together a book? Ex. Do you have saggy middles, soggy characters, soupy plots during your first drafts…if so, how do you shape it up?


I had to laugh as I read this question. I'm pretty sure I have saggy middles, soggy characters, and soupy plots during my first drafts. How do I shape it up? Allow me to share a few lines from the movie, Shakespeare in Love.


Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.
Hugh Fennyman: So what do we do?
Philip Henslowe: Nothing. Strangely enough, it all turns out well.
Hugh Fennyman: How?
Philip Henslowe: I don't know. It's a mystery.


So right there in that last line is my answer to your question about how I pull my books together: "I don't know. It's a mystery."


I guess that's part of what keeps me writing story after story. Some of what I do remains a mystery, even to me.

Best-selling novelist Robin Lee Hatcher is known for her heartwarming and emotionally charged stories of faith, courage, and love. She discovered her vocation after many years of reading everything she could put her hands on, including the backs of cereal boxes and ketchup bottles. Winner of the Christy, the RITA, the Carol, the Inspirational Reader’s Choice, and many other awards, Robin is also a recipient of the prestigious RWA Lifetime Achievement Award. She is the author of 70 novels and novellas with over five million copies in print.


Robin enjoys being with her family, spending time in the beautiful Idaho outdoors, reading books that make her cry, and watching romantic movies. Her main hobby (when time allows) is knitting, and she has a special love for making prayer shawls. A mother and grandmother, Robin and her husband make their home on the outskirts of Boise, sharing it with Poppet, the high-maintenance Papillon, and Princess Pinky, the DC (demon cat).



Friday, January 17, 2014

Called to Adventure ~ Dorothy Love

Called to Adventure: One Writer’s Journey through Plots, Proposals and Publication
By Dorothy Love




Author and screenwriter Christopher Vogler has identified a set of useful elements for developing plots. As I’ve used these elements over the years, expanding some, deleting others, I’ve become aware of the parallels between my characters’ journeys and my own.

Below are some of the elements Vogler discusses at length in the two volumes of his books The Writer’s Journey: Mythic Structure for Storytellers and Screenwriters (Michael Wiese Productions). Thinking about these elements helped me to flesh out my stories. Maybe they’ll help you, too.

The Ordinary World. Where do your characters normally live? City, small town, fantasy island? What are their lives normally like? Routine? Boring? Challenging? What parts of their ordinary worlds do they love? What parts do they wish were different?

For many years my ordinary world was Dallas, Texas and the world of academia. I was good at it, but I didn’t always love it. Something was missing.

The Call to Adventure. There is your character, blissfully minding his own business, going about his ordinary world, when something happens that draws him out of it. Someone dies. Someone is kidnapped. A fortune is won or lost. And your character, no longer content with his ordinary world, must do something about it. The call to adventure establishes the stakes of the game and answers the question: what does your character have to win or lose?  

My call to adventure came when my husband changed jobs and moved us from Texas to Iowa. I was not at all happy about the move. “You want to write,” he said. “Here’s your chance.”

The Refusal of the Call Your character thinks, “Whoa, this is scary. I’m facing the terrors of the unknown. I’m not sure I can undertake this dangerous journey even with so much at stake.”

I was terrified to take the leap of faith required to actually write a novel and submit it for publication. What if I failed? I imagined a group of black-clad editors in some Manhattan high rise late at night wading through the slush pile and howling with laughter in all the wrong places as they read my story.

In developing your plot, you must create some other influence that comes into play that overcomes your protagonist’s fear. That other influence is often a mentor. Mine was Peggy Moss Fielding, a fabulous writing teacher who convinced me I had what it took to write and publish a novel.  

The Meeting with the Mentor. Feeling unsure and at the same time longing to fulfill the quest, your character seeks guidance from someone older and wiser. Indiana Jones seeks out his father and fellow scientist. Dorothy seeks the Wizard of Oz... The mentor gives advice, guidance, or maybe even special equipment necessary to fulfill the quest. Now, because so much is at stake, your character commits to the quest.

With Peggy’s instruction and encouragement I committed to my goal.

These elements combine to form Act 1 of your novel. In Act 2, your main character meets:

Tests, Allies and Enemies. In which your protagonist begins to understand the rules of the new world into which he has been cast. Think again of Dorothy on the road to Oz, or of the enemies and allies that gather at Rick’s CafĂ© Americain in the movie Casablanca. Armed with new knowledge and in the company of his allies, your protagonist approaches the place where the treasure may be found. In the stories of King Arthur, this place is the Chapel Perilous, wherein rests the Holy Grail. What is the Holy Grail for your protagonist?

For me, it was seeing my book on the shelves at Barnes and Noble. But first I had to learn the vocabulary of publishing, the rules for submitting, the roles of agents and editors. And most importantly, the shape of a successful story.

The Supreme Ordeal. This is the black moment for your protagonist, when it seems all is lost, and death, either real or metaphorical, is a real possibility. This is the moment Peggy called “the huddled ball of misery” moment. Every story needs such a moment, when the protagonist and his goals are in jeopardy, success seems hopeless and things simply can’t any worse.  

For five years I experienced that huddled ball of misery moment, that profound sense of failure, each time a rejected manuscript was returned to me. I went through a couple of periods during which I wrote nonfiction and gave up the quest for publication as a novelist.

Now we enter Act 3:

The Reward in which the hero takes possession of the treasure, which might be a physical object, but might also be new knowledge, new understanding. Perhaps this is the point in which your hero and heroine declare their love for one another. Or your character experiences a renewed faith.

My reward came in the form of “the call” in which an editor at a small New York publishing house offered to publish my first novel.

The Return with the Elixir. Your protagonist returns with a special treasure or lesson from the Other World. The elixir might be love, or freedom, or wisdom, or faith. In Billie Letts’ novel Where The Heart Is, the protagonist, Novalee Nation realizes that one lie can change a person’s life and that truth can lead to finding the love she thought was beyond her. She realizes that she has more control over her life than she thought, and that she doesn’t have to remain a victim of fate.

For me, the elixir was the knowledge that with study and practice and determination I could in face write, revise, submit, and sell a novel. My sixteenth novel, Carolina Gold came out in December, and I’ve just turned in my next one to be published in 2014. May you experience this same elixir. There is nothing else quite like it.





Dorothy Love is the award-winning author of numerous books for adults, preteens and young adults. Her popular Hickory Ridge series, set in her native Tennessee marked her return to her writing roots in historical fiction and introduced readers to her trademark blend of history, mystery and romance. Love’s latest release is Carolina Gold (available December 2013). Her next book, a romantic mystery set in antebellum Savannah, will be published in 2014. She lives in Texas with her husband and their golden retriever and welcomes readers at www.DorothyLovebooks.com and at www.facebook.com/dorothylovebooks.