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Showing posts with label E-Readers. Show all posts
Showing posts with label E-Readers. Show all posts

Friday, June 13, 2014

E-Readers, Tablets and Bears, Oh My

Dan Balow started in Christian publishing in 1983 working for the David C. and held a position as Director of Marketing for books with Tyndale House Publishers. Dan is a founding member of the advisory board of the Christy Awards and is involved in training and mentoring Christian publishers around the world.  He is now an agent with the Steve Laube Agency. Dan works from his office in Wheaton, IL and is married to Carol. They have four grown children.
The latest data from the Pew Research Center’s Internet Project released this Fall and confirmed in solid data what we all know to be true…that e-Book readers and tablets are becoming more prevalent in American society.
In a scientific survey conducted five times since May, 2010, the Pew Research Center concluded as of September 2013 that 24% of Americans age 16 and older have a dedicated e-Book reader (Kindle, Nook, Kobo, etc.) and 35% have a tablet computer (like an iPad, etc.).  Furthermore, 43% of those 16+ have one or the other, so a number of people have both.
Compared to the last survey taken in November 2012, this one reveals a 26% increase in ownership of e-Book readers and a 40% increase in ownership of tablets in the last ten months.
So who owns these things anyway?
Slightly more female than male.  E-Book readers are owned slightly more by people in the 30-49 age group, but the data shows pretty broad use by all ages.  The tablets are strongest with the 16-49 age range, with fully 46% of 16-17 year olds owning one, but 18% of persons age 65+ own a tablet.
Predicting the future is always difficult, but as young people today age, they will continue to use technology more than their predecessors.  The most interesting aspect of these surveys is how quickly people age 50+ have adopted these new technologies.  People in that group picked up the technology “habit” later in life than those who grew up with it and it has significant use among older Americans.
Of course, children at the youngest ages are being exposed to technology every day in schools with the assumption that it will even more prevalent and important than it is now.
What will happen to printed books?
In general, digital books are less expensive than printed versions. As digital sales grow and physical sales shrink, the cost of printing the physical editions will increase.  Two factors contribute to this…lower press runs and increases in paper costs will drive printing costs higher which will need to be compensated for by increasing the retail price of the physical books.
Those higher prices will have a further dampening effect on purchasing, making eBooks and their lower prices even more attractive.  So, there is potential for a digital “tipping point” sometime in the next few years, caused not as much by the love of digital content, but by the expanding price difference between print and eBooks.
An even more interesting trend will accelerate the decline of print books…excessively low prices of eBooks. Readers will consider a book “worth” $0.99 and so the printed edition heretofore priced reasonably at $12.99 will be viewed as overpriced.
Authors should be concerned about a trend that lowers the expectations of consumers to a vanishing point.  Selling your eBooks at $2.99 or less might give you the short- term satisfaction of higher unit sales, but as far as I can tell, your bills still need to paid in dollars, not units!  Training consumers that books cost $0.99 will irreparably damage the entire publishing industry.  In other words, what you write is not worth much.  Marketing guru Seth Godin refers to this as a “race to the bottom”…a race that no one wins.

Saturday, December 21, 2013

An Open Letter to my Fellow Authors from novelist Richard Russo

It’s all changing, right before our eyes. Not just publishing, but the writing life itself, our ability to make a living from authorship. Even in the best of times, which these are not, most writers have to supplement their writing incomes by teaching, or throwing up sheet-rock, or cage fighting.

It wasn’t always so, but for the last two decades I’ve lived the life most writers dream of: I write novels and stories, as well as the occasional screenplay, and every now and then I hit the road for a week or two and give talks. In short, I’m one of the blessed, and not just in terms of my occupation. My health is good, my children grown, their educations paid for.

I’m sixty-four, which sucks, but it also means that nothing that happens in publishing—for good or ill—is going to affect me nearly as much as it affects younger writers, especially those who haven’t made their names yet. Even if the e-price of my next novel is $1.99, I won’t have to go back to cage fighting.

Still, if it turns out that I’ve enjoyed the best the writing life has to offer, that those who follow, even the most brilliant, will have to settle for less, that won’t make me happy and I suspect it won’t cheer other writers who’ve been as fortunate as I. It’s these writers, in particular, that I’m addressing here.

Not everyone believes, as I do, that the writing life is endangered by the downward pressure of e-book pricing, by the relentless, ongoing erosion of copyright protection, by the scorched-earth capitalism of companies like Google and Amazon, by spineless publishers who won’t stand up to them, by the “information wants to be free” crowd who believe that art should be cheap or free and treated as a commodity, by internet search engines who are all too happy to direct people to on-line sites that sell pirated (read “stolen”) books, and even by militant librarians who see no reason why they shouldn’t be able to “lend” our e-books without restriction.

But those of us who are alarmed by these trends have a duty, I think, to defend and protect the writing life that’s been good to us, not just on behalf of younger writers who will not have our advantages if we don’t, but also on behalf of readers, whose imaginative lives will be diminished if authorship becomes untenable as a profession.

I know, I know. Some insist that there’s never been a better time to be an author. Self-publishing has democratized the process, they argue, and authors can now earn royalties of up to seventy percent, where once we had to settle for what traditional publishers told us was our share.

Anecdotal evidence is marshaled in support of this view (statistical evidence to follow). Those of us who are alarmed, we’re told, are, well, alarmists. Time will tell who’s right, but surely it can’t be a good idea for writers to stand on the sidelines while our collective fate is decided by others. Especially when we consider who those others are. Entities like Google and Apple and Amazon are rich and powerful enough to influence governments, and every day they demonstrate their willingness to wield that enormous power.

Books and authors are a tiny but not insignificant part of the larger battle being waged between these companies, a battleground that includes the movie, music, and newspaper industries. I think it’s fair to say that to a greater or lesser degree, those other industries have all gotten their [butts] kicked, just as we’re getting ours kicked now. And not just in the courts.

Somehow, we’re even losing the war for hearts and minds. When we defend copyright, we’re seen as greedy. When we justly sue, we’re seen as litigious. When we attempt to defend the physical book and stores that sell them, we’re seen as Luddites. Our altruism, when we’re able to summon it, is too often seen as self-serving.

But here’s the thing. What the Apples and Googles and Amazons and Netflixes of the world all have in common (in addition to their quest for world domination), is that they’re all starved for content, and for that they need us. Which means we have a say in all this.

Everything in the digital age may feel new and may seem to operate under new rules, but the conversation about the relationship between art and commerce is age-old, and artists must be part of it.

To that end we’d do well to speak with one voice, though it’s here we demonstrate our greatest weakness. Writers are notoriously independent cusses, hard to wrangle. We spend our mostly solitary days filling up blank pieces of paper with words. We must like it that way, or we wouldn’t do it. But while it’s pretty to think that our odd way of life will endure, there’s no guarantee. The writing life is ours to defend.

Protecting it also happens to be the mission of the Authors Guild, which I myself did not join until last year, when the light switch in my cave finally got tripped. Are you a member? If not, please consider becoming one. We’re badly outgunned and in need of reinforcements.

If the writing life has done well by you, as it has by me, here’s your chance to return the favor. Do it now, because there’s such a thing as being too late.

Richard Russo
December 2013


Richard Russo is the author of numerous novels, including Straight Man and Elsewhere, and won the Pulitzer Prize for his fabulous novel Empire Falls. This letter was forwarded to me by novelist Scott Turow, president of The Authors Guild, in order to build support for the Guild.  We at Novel Rocket believe in the role, goals, and objectives of The Author’s Guild, and I've joined. Novel Rocket encourages all authors to consider the benefits of the Guild. You can find more information and a membership application at www.authorsguild.net or authorsguild.org. Tell them Novel Rocket sent you!

Friday, February 25, 2011

Today Only !

Okay Guys,



If you're not subscribed to the Barnes and Noble newsletter, you might not know that today they are giving away a free cup of coffee for people who come in and test drive a COLOR Nook.





(As if we needed an excuse to go browse Barnes and Noble and take in the smell of books and coffee!)

Wednesday, January 12, 2011

To E or not to E ~ by guest blogger K. Dawn Byrd

K. Dawn Byrd is an author of inspirational romantic suspense. A masters degree in professional counseling helps her better understand her characters and what makes them tick. She's an avid blogger and moderator of the popular Facebook group, Christian Fiction Gathering. When not reading or writing, she enjoys spending time with her husband of 15 years while walking their dogs beside a gorgeous lake near her home and plotting the next story waiting to be told.

To E or Not To E

Okay. I'll admit it. I don't much like change. To be more accurate, I loathe change. When I heard snippets that e-Books were the wave of the future, I fought it with everything in me. I've been a book collector for over 15 years and have approximately 2,000 books in my home. The very existence of e-Books threatened my beloved print books. I vowed that I would never buy an e-Book (the enemy that might eventually extinguish the print books that I so loved so much.)

A Christian fiction book came out that I just had to read, but I didn't see it available as a print book. I e-mailed the author and she responded that it was available only in e-format. I kicked it around in my head for a few days and decided that I just had to have that book.

After I figured out how to download the first e-Book, I was hooked. I have the Kindle app on my laptop, my netbook, my Eken, and also my Blackberry. I have purchased dozens of e-Books since that first purchase.

I absolutely love e-Books. I'm not killing trees, using expensive ink or lugging around heavy objects. And best of all, I can read when I want on my cell phone. Anywhere. Any time. And, I can read in bed with hubby right beside me and don't have to worry about disturbing him with a bedside light. The font is adjustable and right now my font is larger and darker than the print in a paperback. It's backlit and easy on the eyes. I can purchase e-Books in seconds and never have to leave the house. I have literally thousands of titles at my fingertips. Also, e-Books are inexpensive and many of them, especially those in the public domain, are free. They're not taking up room in my home and I can read them again if I choose.

I've decided not to fight it. After all, how many people fought purchasing a microwave oven? DVD player? Cell phone? And, now an e-Book? Progress will continue no matter how hard we try to fight it. I, for one, believe that e-Books are here to stay and I'm loving every minute of it!

Thanks for allowing me to share my e-Book experience. I hope you'll give them a try and love them as much as I do!

I'm have two writings spaces. I keep my ball chair at the antique desk upstairs where my trusty old computer awaits. That computer is about 5 years old and not Internet ready, which is just the ticket when I want no distractions. The downstairs writing space is a cozy corner of my kitchen with a side window overlooking the street. The antique desk there has lots of little cubbyholes to hold my supplies and an antique clock, penwell and feather quill sit atop along with an art deco lamp and some of my favorite editing books. Thanks for taking a tour of my writing spaces!


Queen of Hearts, a WWII romantic suspense was the bestselling novel for her publisher during its debut month. At the time of this writing, it was the #1 bestselling suspense e-Book at www.christianbook.com.


Daphne Dean is proud to be serving her country stateside during WWII as a reporter and an Office of Strategic Services operative. When the photograph she takes of the crowd at a murder scene places her on the mob's hit list, she's forced into hiding in a vacant mental asylum in the middle of nowhere with terrifying secrets of its own.

Daphne believed herself to still be in love with her ex-fiancĂ©e, Kenneth, until she spends several days locked away in the asylum with Vito, the mob boss' son. Can she put the terrifying events that occurred there behind her and allow herself to pursue a relationship with Vito? Or, will she return to Kenneth who has turned his back on his country by becoming a draft dodger and a black market racketeer? One thing's for sure, it won't matter if she can't escape the mental institution alive. 

Wednesday, June 23, 2010

Tess Gerritsen on E-Readers

Tess Gerritsen is a Phi Beta Kappa graduate of Stanford University. Tess went on to medical school at the University of California, San Francisco, and was awarded her M.D. in 1979. After completing her internal medicine residency, she worked as a physician in Honolulu, Hawaii. In 1987, Tess's first novel was published. CALL AFTER MIDNIGHT, a romantic thriller, was soon followed by eight more romantic suspense novels. She also wrote a screenplay, "Adrift," which aired as a 1993 CBS Movie of the Week starring Kate Jackson. Her thriller, Harvest was released in 1996, and marked Tess's debut on the NEW YORK TIMES bestseller list. Film rights were sold to Paramount/Dreamworks, and the book was translated into twenty foreign languages. Now retired from medicine, Tess writes full time and lives in Maine

~Used with permission~


I came late to being an e-reader convert, but yes — I did eventually come around to appreciating the devices. I own a Kindle, and now a Cool-ER, although they will never co-opt the affection I’ll always feel for the good old-fashioned book. But when I do sit down with an e-reader, there are several features I demand. These are just my own preferences, and others may disagree. But if any manufacturers out there are paying attention, and you’re wondering what we readers want, here’s my list.

First, here are the features that are ABSOLUTELY necessary. If the e-reader doesn’t have these, it’s a deal-killer for me:

PORTABILITY. I want my e-reader to be lightweight and easy to slip into my purse. Which is why I prefer a 6-inch screen, about the size of a paperback novel. Any larger, and you defeat the whole purpose of an e-reader — and that’s to take it on vacation, or on a plane. One of the hottest new models I saw at CES is a combination e-reader and electronic writing tablet. It weighs several pounds. Sorry, but I am not going to buy that monstrosity. If I want to take notes on something I’m reading, I’ll just bring an old-fashioned steno-pad. Here is where an e-reader like Interead’s super-portable Cool-ER has a huge advantage. The mantra for manufacturers should be lighter, lighter, lighter!

SIMPLICITY OF USE. I am not a techie genius. Don’t make me puzzle over a thousand different menus. Make the e-reader as easy to use as a plain old book — that is, so easy that any child can use it. Think of me as a middle-aged child. Who just wants to read the darn book without a struggle.

EASILY ADJUSTABLE FONT SIZE. I am of an age where I haven’t yet accepted the fact I need reading glasses. Help me maintain my delusion. Give my an e-reader that, with a mere click of a button, can instantly enlarge the font. And give me a larger font option than the current e-readers do. The print needs to be even bigger! (And for my mom, who has macular degeneration, HUGE font would be great!)

SUPER-LONGLASTING BATTERY LIFE. Luckily, the current e-readers seem to satisfy this particular demand. The Kindle lasted on one charge throughout my entire Turkey vacation. The Cool-ER has an 8,000-page-turn battery life. I don’t want to be in the middle of Africa and suddenly have my battery run out, with no possibility of a re-charge. What this means is that color-screen e-readers are not going to be on my shopping list anytime soon. Their battery lives are way too short. I’d much rather have a plain old B&W screen that lasts me throughout a two-week camping trip.

NON-PROPRIETARY FILE ACCESSIBILITY. Here’s where I have a beef with my Kindle. Sometimes I want to read material that’s not Amazon-mediated. I want to read another author’s galley. Or I want to read a scientific article I’ve got on my home computer. Or my own manuscript in progress. I want to be able to upload that file directly onto my e-reader without having to go through Amazon (and pay for that privilege.) My Cool-ER allows me to do that, as long as I convert my doc file to pdf. I understand that the Sony e-reader also allows this, which is a huge plus.

Now — here are features that are nice, but which I don’t consider necessary for me to consider a purchase:

WI-FI ACCESSIBILITY. I know this is the hot thing, being able to download newspapers and books wirelessly. But right now, with my Kindle, I get no Whispernet accessibility where I live, and it doesn’t bother me all that much. And when I’m traveling, if I want to read, say, the New York Times, I’ll just buy a paper copy. If I’m in an area where I can’t buy the NYT, it’s usually also an area where I can’t get Whispernet either. Besides, Wi-Fi usage really drains that battery fast.

AUDIO. Yes, I know, it’s nice to be able to hear an audiobook on your e-reader. But isn’t that what an iPod is for? (And much smaller, too.)

TOUCHSCREEN. Well, this would be cool. And I would love it. It may be one of those features that I soon consider necessary.

HUGE FILE STORAGE SPACE. The Cool-ER can take up to five gigabytes of data. That’s way more than I’ll ever be able to read. I mean, how many thousands of books do you need to carry on vacation? The current e-readers all have plenty of storage space, so adding additional thousands of books on my device isn’t really a big selling point for me.

WRITING PAD/EMAIL CAPABILITY/BLAH BLAH BLAH. By now, you’re talking about so much weight that you might as well bring your laptop computer. This is no longer e-reader territory.

In short, what I want in an e-reader is the equivalent of a good, old-fashioned BOOK. Something for recreational reading. In the end, there is no device as simple, as uncomplicated, as a book. Give me that old-fashioned experience. Don’t load it up with doo-dads which I don’t need.

Saturday, March 13, 2010

Free Books—Really a Bestseller?

Have you guys been following the trend of free books being offered on Amazon for their Kindle. If you don't know what I'm talking about, just check out the Literature & Fiction Bestseller List and skim through the top 50 books.

The New York Times recently featured an article that gave coverage to both opinions—stating that publishers and authors are divided on this issue. One side makes a case that it allows the public to discover new authors risk free, the other side argues that it devalues your product.

The article also states that authors are "torn" on this issues.

Are we?

For this post I'm asking you to share your thoughts, specifically talking about your books. Would you want to see your work offered free for e-readers, and under what conditions?