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Showing posts with label critique partners. Show all posts
Showing posts with label critique partners. Show all posts

Wednesday, June 07, 2017

How Not to Do A Critique

By Linore Rose Burkard, @LinoreRBurkard

Seasoned writers know that having one's work critiqued by fellow writers (or even savvy readers) can determine the difference between a finished piece that is merely "good" or one that sings. Critique partners can strengthen a manuscript, clean up errors, and make invaluable suggestions that the writer might not think of.

Thursday, November 17, 2016

Critiques or Consequences


by Ane Mulligan

+AneMulligan  @AneMulligan

I just taught a class at the ACFW conference called Critiques or Consequences. Yes, I borrowed from an old TV show, but I think it's worth looking at, because if we don't receive critiques, our work may suffer the consequences.


I was a founding member of a crit group called Penwrights. We were a dozen unpublished and un-agented writers. We all worked hard and got published. Some have become bestsellers. Gina Holmes posted a photo on Facebook of our early days. It was at an ACFW conference where a few of our Penwrights received awards in the Genesis contest.


One common misconception about critique groups is they strip away your individual style and voice. That can be circumvented, if you know how. We were all fairly new writers when we started out as critique partners. First of all, most of us didn't even have a voice ... yet. Or if we did, we didn't know it. 

We built trust in one another because we were all serious about getting published. And we all felt we owed God our best, not leftovers. We applied what we learned in writing craft books, went to conferences and took the workshops, and took online classes. We studied under people like Susan May Warren and Rachel Hauck of My Book Therapy, taking advantage of their knowledge and mentoring.

Soon ... okay, not that first year but within a couple of years, we were winning awards and contracts. Some of us, me in particular, took longer. We have to factor God's timing into our writing journey. 

Our large group of Penwrights grew to about 20 members. We began to form small critique groups within our larger one. So, how can YOU become a great critique partner?
  • Be honest. 
  • Critique the work, not the author.
  • Give kudos where due, so they know what they're doing right.
  • Tell your CP what needs changing, but don't change it for them. 
  • Offer examples if your CP is struggling with a concept like showing vs telling.
I'll post some more on this in the future and write a bit on the basics for you newer writers. Leave a comment on what area you struggle with and I'll be sure to address it.




Ane Mulligan writes Southern-fried fiction served with a tall, sweet iced tea. She's a novelist, a humor columnist, and playwright. She resides in Sugar Hill, GA, with her artist husband and a dog of Biblical proportion. You can find Ane at her website, Amazon Author page, Novel Rocket, Facebook, Twitter, LinkedIn, Pinterest, and Google+.

Friday, July 29, 2016

Conferences—Advancing Your Writing Career

by Robin Caroll

As a little girl, I had a dream—to be a writer. Life ensued. I went to college and graduated with a paralegal certificate, then realized I hated the legal industry. I wanted to experience life, so I went to work in the automobile industry. Stayed there, in customer service, for ten years. Let me tell you, THAT was an experience. Every now and then, I’d remember the dream and write a poem. Enter it in a contest, got a couple published. Then I got married and had my first daughter. I had such a busy life, how could I think of my dream? Until the day my little girl and I were reading, and I thought to myself, “I love reading, have always loved reading. I want to be an author, have always wanted to be an author.” I decided to do something this time. I enrolled in a Writer’s Digest fiction course. Completed it, and began work on a manuscript.

Life interrupted again. We moved—twice. I had two more little girls. But the dream didn’t die. And ten years after I completed my fiction course, I decided to do something again. I bought craft books. Joined writing groups. And learned about writing conferences. Before then, I hadn’t a clue that there were conferences you could attend to take workshops and classes to learn and study. Places you could go and be taught by nationally recognized authors. Events where you could meet with *gasp* editors and agents, face-to-face. Boy, was I hungry for that.

I attended some small, local conferences. Learned what a pitch was. Realized I was nowhere ready to pitch to an agent, much less an editor. Honed. Networking  Robin Caroll, Novel Rockettudied. Absorbed. It took me having gone to four conferences before I attended the “big” ones—ACFW National and RWA National.

At my first conferences I:
  • Met my critique partners face-to-face and our relationship changed from just writing partners to dear friends for life.
  • Met my mentor in person and realized I loved her just as much as I did on email and telephone.
  • Met my agent in person for the first time.
  • Pitched to the editor who ended up contracting my first book—the one I’d pitched to her.
  • Networked with editors who I just like hanging out with because they’re fun
  • Been blessed to have taught and encouraged other writers
  • Realized how much I NEED conferences to feed my writing spirit 
Now that I’m published and have many, many conferences under my belt, I still wouldn’t miss going to at least one or two a year. Why? Because now I can:
  • Connect with my writing friends. There’s something special about hugging a friend and praying with them in person.
  • Network with others in the industry.
  • Visit with my agent and various editors I’ve worked with.
  • Get up-to-date information on this ever-changing industry.
  • Feed my writing spirit.
  • Learn new insights as well as brush up on my skills to hone my craft. 

Want to advance your writing career? GO TO A CONFERENCE. Yes, it takes money to go. Plan ahead. Apply for scholarships. Sale the kids. (Ok, I’m kidding about that.) But the expense is worthwhile—you’re investing in your career. And for me? It’s investing in my mental stability to be around others in this crazy industry.

Born and raised in Louisiana, Robin Caroll is a southerner through and through. Her passion has always been to tell stories to entertain others. Robin's mother, bless her heart, is a genealogist who instilled in Robin the deep love of family and pride of heritage--two aspects Robin weaves into each of her 25 published novels. When she isn't writing, Robin spends time with her husband of twenty-five+ years, her three beautiful daughters and two handsome grandsons--in the South, where else? She serves the writing community by serving as Executive/Conference Director for ACFW. Her books have finaled/placed in such contests as the Carol Award, Holt Medallion, RT Reviewer's Choice Award, Bookseller's Best, and Book of the Year.

Bayou Corruption


"Don't let them get away with it, Jacks-" 


Those were the sheriff's last words. Left for dead in the middle of the road, Jackson Devereaux's good buddy had slipped into a coma. Well, Jackson wouldn't let them get away with it, once the ace newspaper reporter uncovered who they were. He'd start with the lovely Alyssa LeBlanc, the only eyewitness to the crime. Problem was, she hated Jackson-why?-as much as she hated being back in the Louisiana bayou. Unfortunately, the truth lay deep in the bayou's belly. And whether they liked it or not, Alyssa had to lead the way.