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Showing posts with label adventure. Show all posts
Showing posts with label adventure. Show all posts

Tuesday, August 27, 2013

Expect an Adventure by DiAnn Mills

DiAnn Mills is an award winning writer who believes her readers should expect an adventure. She currently has more than fifty-five books published. Her titles have appeared on the CBA and ECPA bestseller lists and have won placements through the American Christian Fiction Writer’s Carol Awards and Inspirational Reader’s Choice awards. DiAnn won the Christy Award in 2010 and 2011. She is a founding board member for American Christian Fiction Writers and a member of Inspirational Writers Alive, Romance Writers of America, and Advanced Writers and Speakers Association. She speaks to various groups and teaches writing workshops around the country. DiAnn is also the Craftsman mentor for the Jerry B. Jenkins Christian Writers Guild. She and her husband live in sunny Houston, Texas.


Writing is a tough profession. The competition in today’s publishing world makes the strongest writers think twice about their commitment to excellence. Those of us who are lured by the magnificence of story are committed to creating a world where our readers slip into the shoes of our characters and are whisked away to an amazing thrill filled with uncertainty.

A writer has a gauge by which she measures her stories, the one she is currently writing and the future projects that are being shopped at publishing houses.

My personal barometer is for each reader to Expect an Adventure. This aspiration is a two-way street. If I don’t have the adventure of a lifetime while I’m writing the story, then how can I expect a reader to feel the same exhilaration? When I laugh, cry, hate, love, argue, discover, run for my life and leap high mountains, I expect my readers to take the same plunge. Oh, the span of emotions that expands the human heart.

Each book has to have deeper characterization than the previous novel, a more intricate plot, a setting that challenges the storyline, and more emotive conflict. No pressure there!

Once I establish my premise, my quest for dynamic characters begins. I insist upon an unlikely heroine
—a woman who is qualified and able to solve a problem. She’s a feminine creature, capable of feeling a variety of emotions, and she’s mentally strong, a woman who uses her wit to meet each new challenge. This woman may or may not be Christian at the beginning of the story, but she will learn to solve her problems through a Christian worldview.

The hero is a strong man who appreciates many aspects of the heroine. They differ in views and argue, but they learn to work together while they step from one danger to another.

The villain is motivated by greed. He’s highly intelligent and charms his followers with power, money, or wit.

Premise, characterization, and plot are tightly women. My plot must parallel the heroine’s chosen profession and put her into danger as she reaches for an impossible goal. She flexes her muscles and goes to work.

Plotting involves asking questions. What is the worst possible thing that could happen to my character? How can I raise the stakes in every scene? How can I keep the reader on the edge of her seat and glued to the pages of the book? My personal standards must meet the demands of today’s readers.

Are my readers breathless? Filled with excitement? Do they sense the danger? Are they swept away in a romance?

What setting interests or terrifies my heroine? I believe in research to validate my setting, and that means stepping into unfamiliar territory. I’ve been to Sudan, rode the line with the Border Patrol, interviewed treasure hunters, and made friends with the FBI.

If the passion for story will not let you go, I challenge you to take the plunge and write the adventure!

Saturday, July 14, 2012

Make an Editor Fall for Your Story ~ Wayne Thomas Batson

Wayne Thomas Batson is the Bestselling author of nine adventure novels including the fantasy epic Door Within Trilogy, the pirate duo Isle of Swords and Isle of Fire, and the epic Dark Sea Annals. A middle school Reading and English teacher for 22 years, Batson loves to challenge—and be challenged by—his students. So, when he began writing stories to supplement the school district’s curriculum, it was his students who taught their teacher a lesson. Batson’s students were so taken by one of the stories that, over a thirteen year span, they pushed him to make it into a full-length novel. You can find Wayne at:

Welcome, Wayne! First, tell us about your latest release, please.

On a grand scale, The Errant King is about a world that has lost its way, a place where too many have opened doors to evil and the global consequences. 

On the personal scale, The Errant King is about a boy and a girl. Ariana lost her parents in the infamous Grey Hour Raids. Now, all she wants to do is make a name for herself in her village or leave home for a new way of life. Lochlan is the High King of the known world, but all he wants a chance for someoneanyoneto really know him without the crowns interference.

Do you purposely weave Christian pictures into your books or does your worldview seep into the story?

It’s a little of both. Generally, the plot and characters come first, but as I get to know the people in the story and better understand the challenges they face, I start to see thematic threads emerging. Once I recognize where that theme is (or could be) heading, I do seek to create places where the theme can be woven in. That said, I’ve heard from readers about themes in my books that I never even knew were there. They just sort of “become” because of who God has made me to be.

What is your goal when weaving in the theme?

My goal in all aspects of writing: craft, story, mechanics, themesall of itis to honor God with quality and lead readers to ask the big questions of life. If readers are impressed with the quality of the story and they ask those big questions, Im convinced God will meet them halfway.

Are you trying to connect with kids who go to church or to any kids? Boys or girls?

My publishers havent given me much demographic information. But early on, my books were selling better in the secular market than they were in the Christian market. Im not sure if thats still true. But I dont write just for anyone. Books like The Hobbit had such a huge impact on me as a kid that I want to do my level best to write stories that will thrill readers todaywithout violating consciences.

One book all children should read, and why should they read it?

The Hobbit and Lord of the Rings. See there, I cheated. I put several books in. But really, I think all kids should be exposed to a world that is more black and white, where honor matters. I also fully believe that Tolkiens books, with their lush description and world-building, will wake something up in readers, a longing for a faraway world. It is the yearning for what C.S. Lewis calls that mysterious something that were all after but that this earth can never fully satisfy.

I can see where a reader might long for heaven after spending time in the Shire.

How can I make an editor fall for a story?

Two ways:

1) The Unique Hookthis is a plot device, a scenario that the reader hasnt seen before but is an obvious problem. A character wakes upsix feet underground or a train enters a tunnel but doesnt come out of the other side. Something that makes the reader sit up straight and utter that famous Keanu Reeves-ism: Whoa!

Or:

2) Thumbscrewsthis is a character driven approach where you not only bring an interesting person to life in short order, but you also dump that person into any one of a thousand worst case scenarios. Hes lost his wife; his daughter is dating a biker, and the office just called claiming that hes responsible for a huge account failing.

But no matter which approach you use, you need to do it FAST. First line, first paragraph, first page. Spend a month just on those. Make them spectacular. You have got to be noticed out of a sea of other stories. Do it right away, or the editor may not even read on.

Heh heh. What have you got against bikers, Wayne?

But, really, I love this advice. We do have to find a way to stand out.

So you like conflict early on. What do you think is most important--conflict, characters, or voice/prose?

I think you can be successful with any approach. But why not just excel at all three. Youll have a much wider audience that way. That said, the stories that really endure are the ones with at least one endearing character.

Why not excel at all three? Well, when you put it that wayit all sounds so simple.

Do you outline your plots?

I outline vigorously. I use a program called Scrivener that lets me use pushpin note cards to fully plot my stories, complete with art files, sound FX, pretty much anything I want. I spend about a month outlining each novel. For me, thats the only way I can do it. Otherwise, I get lost in my own plots twists and turns.

Okay, let us gain from your hard-won wisdom. What do you know now that you wish you knew five years ago?

I wish I knew way back then more about the actual business of publishing. Im grateful for the contracts Ive gotten. But having sold close to half a million books, youd think I would have earned enough to write full time, but not so.

Unfortunately, legacy publishing just doesnt treat the author very well. The royalty percentages are scandalously low. Thank God thats changing now with the advent of eBooks. It wont be long nowtraditional publishing houses will need to begin raising royalty rates or their authors will jump to eBooks.

Whoa. Okay. So what do you know now that you wish you still didn't know?

I wish I didnt know the conflict of duties that writing professionally can trigger. Im a full time teacher at a public middle school. Im a husband, as well as a father of four. Im a writer busy with several deadlines a year. And no matter what I spend my time doing, something always feels neglected. It can be very stressful and discouraging.

I can't even imagine. You work really hard.

Will you ever consider publishing with general market publisher?

If the contract is right, I would in a heartbeat. That said, Im not sure Ill ever sign with another print publisher. Im under contract for seven books in the Dark Sea series. But aside from those, I plan to do the rest of my books as self pubbed.

Well, I wish you much joy and success, because writing has to be satisfying or it's not worth doing. So, what is your favorite part of writing novels for teens?

I absolutely LOVE reading my stories to kids. I tend to dress in full medieval gear and speak in English/Scottish accents, all the while reading the stories with all manner of drama.

Fun! Do you have a life verse or a Bible passage that shows the direction you want to go with your writing?

Hebrews 10:23 Let us hold fast the confession of our hope without wavering, for He who promised is faithful;

Do the children read your books? Do they give you fodder for the books?

My kids have read some of my books, but they just see me as Dad. And yes, they are always targets for future characters. 

Thanks for stopping by, Wayne! 

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 is the editor of the semi-annual newsletter: Best Books for Young Readers (subscribe for free and you'll be entered to win your choice of a Kindle Fire or a Google Nexus). She has published short works in a number of places and has received an SCBWI Work in Progress grant. She can usually be found blogging about young adult novels at sally-apokedak.com