There was a hush on the fourth floor of the Vancouver Art Gallery as we entered, almost a reverence, I thought. People meandered quietly through the halls and rooms, taking time to study the paintings on the walls and read the commentaries and quotes from the artist’s journals. As I joined them I was aware of my own sense of awe. Emily Carr was an artist I had admired since I was a child. Her work always made me pause, drew me in, made me aware of something beyond myself.
