Born and raised in Manassas, Virginia, S. Dionne Moore moved to Greencastle, PA in 1993, then to Mercersburg in 2008. Moore enjoys life in the historically rich Cumberland Valley where traffic jams are a thing of the past and there are only two stoplights in the whole town. Moore is author of the LaTisha Barnhart Mystery series as well as new historical romance release "A Heartbeat Away."
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Components of a Solid First Chapter
When I judge contests the one element I want to see in an entry is
that hint of the character’s goal. I want to have evidence that we have a
destination. Whether that destination changes and shifts along the way is not
of concern, just let me know where the character is headed, and give a hint of
the conflict they’ll have to endure along the way, and I’ll pack my bags and
climb on board for the ride. But what I often find in my judging is that the
writer introduces a character and describes some surrounding, then the first
chapter is complete.
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Expectation is foremost when a reader begins a book and the journey
to motive begins in chapter one. A character should not know exactly
what is wrong with them by the end of the first chapter, otherwise their
journey toward epiphany is greatly shortened and the reader has nothing to look
forward to. No expectations. Readers want to move with the character through a
fictitious journey full of hope, hurdles and, if romance, love, that will
ultimately end satisfactorily.
Front-loaded backstory is a sign that the writer is still
fleshing out their characters and is often nothing more than a synopsis
disguised as a first chapter or, worse, a badly written prologue. Think of how
you would talk to someone you are first introduced to. Would you tell them
every terrible thing in your life? No, of course not. Some of us don’t even realize
the bad things from our childhood that have affected us so deeply until we are
far into adulthood.
It is the same in a fictional relationship. The main character will
not pour out their entire life’s story in the first chapter. Backstory is
essential only to allow you to better understand how your protagonist
should act and react in the situations you create. If adding backstory is
necessary to understand a character action or reaction, it should be very short
and to the point.
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Understand who they are and what they want--give them a
personality!--then take it from there. Most of all, don’t be shy to ask someone
to read your chapter for you, or better yet, read it out loud to yourself!
You’ll be amazed at what you’ll catch, and hearing your story will tell you
whether the words and those clever turns-of-phrase you used really worked or
just muddled things up.
Whatever you do, don’t stop writing. Don’t freeze up. Stop and
think. Get to know your character. Pound out a synopsis. It doesn’t have to be
detailed or long, but it should be a general idea of where the story is going.
Couple that synopsis with knowing your character as if they were a friend and
you will be well on your way to writing an exceptional first chapter that will
knock the socks off any judge!
A Heartbeat Away
When a band of runaway slaves brings Union-loyal Beth Bumgartner a wounded Confederate soldier named Joe, it is the catalyst that pushes her to defy her pacifist parents and become a nurse during the Battle of Antietam.
Thanks for having me, Ane. I wonder if any readers will share what they feel is the toughest part of writing a first chapter. . .Anyone????
ReplyDeleteThe funny part is for me, first chapters aren't hard. Once i have my story idea and know my character, it's the opportunity to introduce the reader to her/him. I like to create a bit of mystery about the character, so I learned early to leave out back story.
ReplyDeleteIt will be fun to see what our readers say. :)
Thanks for the advice. I am a new writer, working on my first book, and this is something I have been struggling with in the first chapter, wondering just how much to include. This article helped me realize a better place to start the backstory in my book. Thanks!
ReplyDeleteThat first chapter is always so much work! I rarely keep my first chapter. Most of the time is gets heavily revised, or completely rewritten when I am working on a second draft. Thanks for the great tips!
ReplyDeleteI think the first chapter of my first MS went through over 90 revisions before I was satisfied (yeah, that zero is supposed to be there). Thankfully, since then, I know what to include. Still, I've never heard it explained so eloquently. The hardest part for me is making the character likable if they're feeling hopeless and downtrodden. I usually handle that, though, by having them do something outward focused--serve somewhere, help someone, defend the underdog--just to show there's strength in there even if they've lost their way. Because even if you include the goal and the stakes, if people don't care about your main character, they'll put down the book and walk away. And who wants that?
ReplyDeleteGreat article..thanks for sharing your insights.
ReplyDeleteI deleted the first 100 pages from my rough draft before I finally got a chapter one I felt good about. Reworking the beginning helped me focus on my character's goals, eliminate unnecessary back story, and create a hook. Chopping away your work is painful, but oh so worth it.
Thank you for your helpful advice. I especially liked the part about introducing yourself to someone new. It helps paint a better picture of what the first chapter should and shouldn't be.I am a new writer, and I've reworked my first chapter a dozen times. This gives me a new way to think about it. Blessings.
ReplyDelete