Author Interview ~ Krista McGee

What two or three things would you do differently if you were starting your publishing career today?

I would read Self-Editing for Fiction Writers before I wrote one word. I would attend writer’s conferences and join a writer’s group. In short, I would get as much preventative help as I could!

What one issue makes you struggle the most as an author? How do you handle it?

Other people’s opinions. Oh, man. My entire day can be ruined by one bad review. I am learning to handle it with God’s help – reminding myself that I can’t please everyone, but I can please him in how I respond to others’ responses.

What is the best writing (or life) advice you have ever heard or wished you had followed? Why?

The best writing advice I’ve heard was from my editor, Becky Monds. She always tells me not to go easy on my characters. “Don’t be so nice!” Conflict drives a good story, so creating conflict in my characters’ lives – both internal and external – is crucial.

What one issue ignites your passion? Does your passion fuel your writing? What would you do with your life if you didn't write?

I am a passionate follower of Jesus Christ. Knowing him and making him known drives my passion for writing and for life.

Tell us a bit about your current project.

Anomaly is a dystopian novel, set in a future where the world has been destroyed by nuclear war and the only survivors are scientists who determine to create a new world. Their world is inhabited by people whose ability to think, question, and feel is removed. They each have a job to do to help the State run smoothly. Thalli, however, is an anomaly. She questions what she is taught, she is not content to be just her pod Musician. She longs for more. And she gets more, but not in the way she expects.

We are all about journeys...unique ones at that. How convoluted was your path to your first published book? Share some highlights or lowlights from your path to publication. 

I wrote a really terrible book fourteen years ago. I was in a new place with not much to do, so I wrote. I didn’t know anything about the publishing process, so when I finished the book, I sent the whole thing to one publisher. I received a rejection letter a couple months later, and I didn’t write again for a decade. When I started the second time, I read up on the writing and publishing process. I even found an agent who said, once I finished my book (what eventually became First Date), he would represent me. So I finished it and wrote him. That was four years ago. I still haven’t heard back from him! But I did find an agent who was actually interested in representing me, and eventually, with her help, I found a publisher.

With the clarity of experience what advice would you offer up to the wet-behind-the-ears you if  beginning this writing journey today? 

Write! If you have an idea, a desire, then go for it. Don’t let excuses keep you from writing. Write ten minutes a day, if that’s all you can do at first, but do it. Don’t edit, don’t fix your errors, don’t rewrite. Get the whole thing on paper, then you can go back. It won’t be perfect. No manuscript is. But it CAN be written. You CAN do it.

Do you have a pet peeve having to do with this biz?

I don’t particularly care for having to “sell” myself. I love talking about my book and interacting with readers. But having to post “Buy my book!” stuff is difficult for me. 

Share a dream or something you'd love to accomplish through your writing career.

I want to go on research trips to Europe. I’d write about anything if I could just be sent over there for a few weeks/months J.

What gives you the greatest writer buzz, makes the trip worth the hassles (besides coffee or other substances, or course)?

I LOVE hearing from readers, especially readers who have been encouraged or challenged by my books. Emails from my readers make my day!

What is one of the more unique or strange life experiences that has really given you an extra oomph in your writing?

I have had the opportunity to live in both Costa Rica and Spain, a year each. Those experiences were amazing and eye-opening. I know what it’s like to learn a new language as an adult; I know what it’s like to adjust to a new culture. My worldview is so much broader for having spent time in those amazing countries, and my writing is informed by that worldview.

Describe your special or favorite writing spot or send a picture if you'd like.

I write at a desk in my room – not so unusual. But I sit on a medicine ball to write – slightly more unusual. Because I have metal rods in my back (I had surgery to correct severe scoliosis when I was 13), the ball is far more comfortable than a traditional desk chair.

What is the first thing you do when you begin a new book?

I write out a 2-3 page summary, and from there, I write out chapter summaries. I like to have a clear “map” of where I am going before I begin writing my manuscript.

Writing rituals. Do you have to sit somewhere specific, complete a certain number of words, leave something undone to trigger creativity for the next session? Some other quirk you’d like to share?

I “warm up” for writing by checking email, Facebook and Twitter. Sometimes I’ll write a blog entry, anything to wake up my fingers and my brain.

Plot, seat of pants or combination?

I prefer to have the plot written out. I like knowing where I’m going and thinking through how to get there. Although, with Anomaly, I only had a skeleton outline. It was scary, but it really helped me develop more plot twists.

What is the most difficult part of pulling together a book? Ex. Do you have saggy middles, soggy characters, soupy plots during your first drafts…if so, how do you shape it up?

My manuscripts tend to be choppy in the first draft. I need a second and third time through to tighten up the elements and characters.

Krista McGee’s passion to see teens excited about serving God is a driving force behind her novels. Ever since college when she spent a summer working at a youth camp, McGee knew she wanted to invest in teenagers. Since then she’s been involved in a variety of youth ministries and currently teaches at a Christian school in Tampa, FL.

McGee broke into the writing world during her time in Spain. A friend encouraged her to submit an article to a Christian girls’ magazine, and it got published. Once her family moved back to Tampa, she got the idea for her first novel, First Date, a modern take of the story of Esther. Her subsequent books, Starring Me and Right Where I Belong, are based on Rebekah and Ruth.

When Krista McGee isn’t living in fictional worlds of her own creation, she spends her days as a wife, mom, teacher and coffee snob.

Learn more about Krista McGee and her books at kristamcgeebooks.com. Readers can also become a fan on Facebook or follow her on Twitter.

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Author Ruth Downie ~ Interviewed

 Ruth Downie is the author of the New York Times bestselling Medicus, as well as Terra Incognita, Persona Non Grata, and Caveat Emptor. She is married with two sons and lives in Devon, England.   

Tell us  a bit about your current project.

I’m currently halfway through the sixth novel in the Medicus series, the follow-up to SEMPER FIDELIS. It takes place during the building of Hadrian’s Wall. I daren’t say much about it yet because I have a feeling it may end up being very different to the way I expect.

We are all about journeys...unique ones at that. How convoluted was your  path to your first published book? Share some highlights or lowlights from your path to publication.

I was in a writing group with some wonderful people, but after a few years I began to think that my inability to write as fluently and confidently as everybody else meant I really wasn’t a writer by nature and it was finally time to start facing the housework.  What I had written of the first Medicus novel was destined for the bonfire. However… before it got there, I had a phone call from the BBC to say I was a finalist in their short story competition. This was a real shock - I’d only entered because some of the group thought it would be a good exercise for us to try.

After the initial programme the BBC then went round filming all the winners for a possible follow-up, asking them about what they were writing. They’d been so encouraging to us all that I dared not say, “Nothing, I’ve given up.” Instead, I rambled vaguely about my Roman novel. “Great!” they said. “We’ll be back in three months to see how it’s going!”

Well, it was either write or be humiliated on national television. So I wrote. And wrote. And cursed and panicked and wrote some more, and after a while I realised three months had long gone and there was no word from the BBC. Apparently they’d decided not to make the follow-up after all. But since I’d almost finished the book, it seemed silly not to write the last chapters. My husband persuaded me to send it to an agent I’d had some contact with before (I suspect he didn’t want to think he’d suffered all that angst for nothing), and to my amazement, the agent sold it.

Do you still experience self-doubts regarding your work, or struggle in a particular area such as writers block or angst driven head-banging against walls? Please share some helpful overcoming hints that you’ve discovered.

Oh yes! I’m usually convinced that what I’m writing is terrible. 

There’s a quote from Frank Darabont pinned above my desk. It contains the words, “…please know that we all battle the usual feelings of frustration and insecurity, regardless of age or experience. For me, writing has always been a process of working through my self-doubt…” and later he says, “The good news is, every time you smack into it, that wall gets pushed a little further back… That’s why it’s important not to give into your fears and doubts, and to keep writing…” I wish I could remember where I found that quote. The man who wrote the screenplays for The Shawshank Redemption and The Green Mile still has doubts! That’s very consoling.

I’d also recommend Steven Pressfield’s The War of Art for anyone who shares my tendency to procrastinate.

What is your favorite source for finding story ideas?

Research. I like to walk the territory where the book is set and handle artefacts from the time (I’m never happier than when down in the mud with an archaeological trowel) but in the end most of the story ideas come from researching the Roman era and trying to imagine how people went about their daily life. Often something will recall a parallel in the modern world, and that’s the spark for the story.

Have you ever had one of those awkward writer moments you’d like to share with us, the ones wherein you get “the look” from the normals? Example, you stand at a knife display at the sporting goods store and ask the clerk which would be the best to use to disembowel a six foot man…please do tell.

You mean like the night when my husband woke to find me sitting up in bed next to him, studying “Dreisbach’s Handbook of Poisoning”?

With the clarity of experience what advice would you offer up to the wet-behind-the-ears you if  beginning this writing journey today? 

For goodness’ sake, do more writing and less worrying!

What gives you the greatest writer buzz, makes the trip worth the hassles (besides coffee or other substances, or course )?

Hearing that people have enjoyed the books. However this may not be apparent, as the first time I met a stranger who’d read one I was so amazed that I didn’t know what to say!

What aspect of writing was the most difficult for you to grasp/conquer? How did you overcome it? 

Plot. It’s fatally easy to bumble along and go nowhere. I’ve found that writing crime mysteries is a useful discipline because you have to work from a question to a solution.

What is the first thing you do when you begin a new book?

Tidy up the muddle from the last one so I have space for all those lovely new research books.

Plot, seat of pants or combination? 

Combination. The neatly worked-out plot and writing plan have to be thrown aside when you get a better idea than the one you had first. I haven’t yet found a way to get straight to the best ideas without meandering through the ones that, up close, either don’t look so good or don’t fit together.

What is the most difficult part of pulling together a book? Ex. Do you have saggy middles, soggy 

characters, soupy plots during your first drafts…if so, how do you shape it up?

I’m conscious of the danger of the Saggy Middle and do try to avoid it, but sometimes I’ve gone too far the other way, and set so many hares running that it’s a problem to catch them all at the end. Conversely, I’m often asked to bring the crime nearer to the beginning. This is the sort of thing that makes me value agents and editors, who have years of experience in spotting where things have gone awry, making a few thought-provoking suggestions and then leaving you to find your own way to fix it.

Have you discovered any successful marketing/promo ideas that you'd share with us?

I haven’t tried it myself yet, but a friend ran a very successful Book Swap evening along with a launch, so that everybody got something new to read sort-of free and had a chance to talk books in general rather than just having to make awkward small talk while queuing up to buy from the author. Now that, to me, sounds like a fun evening.

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