I used to love to read. Anytime.
Anywhere.
High school family vacation to
Hawaii? My sister and brother went surfing and snorkeling and swimming at the
beach every single day. I stayed in the shade and read. They got sunburned. I
got through six novels. Twice.
The last time I moved, it took
thirty-six boxes just to pack my personal library.
Last year’s Christmas tree theme
featured Scholastic Book Club favorites from my childhood and a giant bookworm
for my tree topper.
I. Loved. Books.
I loved
writing, too. Reading and writing were the ebony and ivory of my harmonious,
happy, blissfully ignorant life. But then I became a “professional”
writer… and that one word—Professional—dragged my reading
bliss down a dark alley, slashed it, stole its wallet, and tossed its lifeless
remains in a dumpster.
Learning to
write killed my love of reading.
But why?
Like Neo in The Matrix, the moment I chose to become
a writer, I chose the pill that opened my eyes to what the world of novels and
writing really is. I began to study
the crucial components of storytelling. I started crafting my writing with
purpose and voice and structure. I developed a critical eye.
Today, like Neo, I can no longer accept the simplicity of a
novel for what it is. I can’t help but see the reality and hard work behind
it. I’ve been transformed, and there is no going back. I have officially kissed reading goodbye.
Now I am a student of novels.
What’s the difference, you say? How
does studying a novel differ from merely reading it? Consider the
following three factors:
1. Expectation.
Everyone who picks up a book
has certain expectations about it. They want to be entertained. Learn something
new. Enjoy a heart-pounding romance. Be scared silly and kept awake all night.
The general reader may not be able to describe these expectations if
asked, but they are aware of them nonetheless and will react if these
expectations are or aren’t met. They will sigh. Smile. Cringe with
delight. Tell their friends about it. Or they will toss the book across the
room and bash it on Amazon and Goodreads.
A student, however, is not only aware of their
expectations, but can articulate them. Can’t help articulating
them, in fact. From the moment I pick up a book from the shelf, I know exactly
what to expect from it in terms of genre, character development, story
arc, theme, series potential, even publishing line. And my expectations fuel a
very thorough…
2. Examination.
Because of my expectations,
it is no longer enough for me to simply “like” or “dislike” a novel. I have to
examine why.
Were my expectations met? Why or why not? Why did this
description make me laugh? How did the author carry her theme through all 400
pages? When did I find myself truly sympathizing with the heroine’s plight?
What made me fall in love with the hero? And the most diabolical question I can
no longer resist… what, if anything, would I change about this story?
3. Experimentation.
Despite the number of months,
even years, writers put into creating their novels, the new student in me
can’t resist experimenting.
If I like a particular passage or turn of phrase, I’ll
experiment with ways to create something comparable in my own stories. If a
theme or character motivation doesn’t appeal to my writer’s instincts, I’ll
dissect it, rearrange it, and piece it back together in a way that satisfies
the scholar in me.
So what does a
book study look like?
With these three elements in mind, I have developed a rather
daunting book review system. Before I open a new book, I jot down my thoughts
about what I expect the story to deliver in terms of story, subject matter, and
writing skill. Then, as I’m reading, I highlight favorite passages and note any
questions or concerns about where the story is going. When I’ve finished the
book, I look at whether the story met my expectations, and analyze twelve
crucial areas of storytelling to help compose my thoughts in greater detail.
Finally, I pull those thoughts together in a short summary conclusion, and
identify a few bullet points for Pros and Cons about the story, and post it on
my website and social media.
It may sound like a lot of work, but in reality it adds less
than one hour to my overall time spent with a book. And that is an hour I am
absolutely willing to invest because—and this is the reason we writers are
encouraged to read extensively—such analysis ultimately improves my own
writing. And while it is rather intimidating to post such an “honest” review
publicly, nearly every author I have reviewed has thanked me for being so
detailed, and I’ve developed some new amazing friendships with fellow writers
who appreciate that honesty!
So the next time you pick up a
book, I encourage you to take a moment to think about what you’re about to
read, what you hope to get out of it, then don’t be afraid to be honest in your
assessment of it. Experiment. Learn. Become a better writer by becoming a
better reader.
I dare you to kiss reading
goodbye.
#
# #
AMY DROWN is a fiction reviewer for The
Christian Manifesto, one of the publishing
industry’s leading review websites. She studied History at the University of
Arizona and the University of Glasgow. An executive assistant by day, she is
also an award-winning photographer and musician. But her true passion is
writing edgy, inspirational stories that explore the deep roots of family,
friendship and faith. She is a 2013 My Book Therapy Frasier Finalist and Bronze
Medalist, and an ACFW Genesis Semi-Finalist and First Impressions Finalist.
Connect with Amy, learn more about Deep-Rooted Fiction™, and read her in-depth
book reviews at www.AmyDrown.com.
Thanks again for coming, Amy. I look forward to your reviews because they are SO thorough. You somehow balance the good and not-so-good, and that's so hard to do. I know it's because you put a LOT of time and effort into them.
ReplyDeleteThanks for inviting me to be here today! As you know, my crazy-detailed reviews are something I just started doing for myself, to help improve my own writing craft, but the overwhelmingly positive feedback they've received has been awesome!
ReplyDeleteWhat a perfect description of my own thought process after I became a "professional writer." It was saddening for me at first, that I couldn't experience books the same way I had done all my life. But now I've come to appreciate it, just as you say you do, for the improvement of both my mind and my writing. Great article!!
ReplyDeleteThanks, Ashlee! It is a little sad when that reading experience changes -- I was truly shocked the first time I not only didn't finish a novel, but also realized I didn't want to keep some of the ones I had read! -- but in the end, truly stellar books have no trouble rising to the top because they make you forget all about being a writer and just pull you into the story!
DeleteI know that feeling! I'm not near the point of being a "professional writer" but noticing things about writing style, word choice, plot, characters, etc. has become something I do by nature (especially after being a beta reader and brainstorming partner for my friend, and nitpicking through her book and ideas).
ReplyDelete