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Showing posts with label tips from an author. Show all posts
Showing posts with label tips from an author. Show all posts

Friday, August 09, 2013

Solving Mysteries Through Research ~ by Sally J. Ling



Sally J. Ling, Florida’s History Detective, is an author, speaker, and historian. She writes historical fiction and nonfiction and specializes in little known stories of Florida history.
As a special correspondent, Sally wrote for the Sun Sentinel newspaper for four years and was a contributing journalist for Boca Raton, Gold Coast, Delray Beach, Boca Life, Jupiterand Palm Beacher magazines.
Based upon excerpts from her book Run the Rum In, Sally appeared in two TV documentaries-- “Gangsters” - the National Geographic Channel, and “Prohibition and the South Florida Connection” - WLRN, Miami. She served as associate producer on the latter production.
She has been a guest on South Florida PBS TV and radio stations, guest presenter at the Lifelong Learning Society at Florida Atlantic University and Future Authors of America, and guest speaker at numerous historical societies, libraries, organizations, and schools. 
Sally lives with her husband, Chuck, and her cat, Kitty, and splits her time between Deerfield Beach, Florida, and Wolf Laurel, North Carolina.

Research is Like a Mystery Waiting to be Solved

Sally J. Ling


As a child, I loved putting jigsaw puzzles together. My two sisters and I would spend hours hunched over the card table, fitting the borders together first then finding just the right pieces to make the 1,000-piece puzzle resemble the picture on the box. The hunt for each piece was exciting, like trying to solve some mystery. Perhaps that is why I so like doing research for my books today.

Whether I’m writing historical nonfiction about a fascinating part of Florida history or a novel, I always approach my research as though it’s a mystery waiting to be solved. It keeps me motivated, and I never know where the smallest piece of information will take me. Consider the case of the missing child.

While researching the 1948 Boca Raton, Florida, double homicide of the prominent Italian sculptor and his wife, Leno and Louise Lazzari, I noticed in the police deposition that Margie, the woman who found the bodies, stated that when she came to live at her current home in West Palm Beach in 1934 there were five Constiglioni children. The 1930 Census Report I held in my hand, however, listed six children. One child was missing. Though the missing child wasn’t really central to the account of the homicides, the questions who, what, when, where, and why became an itch that needed to be scratched.

Through genealogical records, I discovered that it was Gloria, the fifth Constiglioni child, who was missing. The mystery became more intriguing when the police report from the homicide stated that in 1932 Gloria’s mother Theresa was committed to the state’s mental hospital. My nose said that the two incidents were connected, that something horrific had happened that sent the mother over the edge. But what?

After obtaining the child’s death certificate from the state, part of the mystery was solved. The four-year-old child accidently caught her clothes on fire while playing with matches. She was severely burned in the incident and died in the hospital two days later. Now I had partial proof of what I suspected—there was a horrendous incident. But . . .  was this really what sent poor Theresa to the mental institution? After all, she didn’t enter the hospital until two years after the child’s death; and, even though I had the deposition, police and census reports, and death certificate, I couldn’t just go on my hunch. I still needed concrete proof of a direct connection between the two incidents. That came just days later.

Solid research is the foundation of any good book, whether fiction or nonfiction. It makes the story believable, it gives the author credibility, and in a novel, provides enough truth to allow the mingling of fiction with fact to draw the reader in and make the entire story credible. In my latest biblical novel The Cloak, several readers actually asked me if the story was real. If the reader cannot separate fact from fiction, the author has accomplished his or her goal and received the ultimate compliment.

Gloria’s mystery was solved when, through a combination of research and luck, I found two of her sisters. At ages 88 and 92, they were able to confirm my hunch and provide the rest of the story. Their mother was so distraught by the unfortunate death of Gloria she literally lost her mind. Her admittance card from the Florida State Hospital stated she was “chronically insane.”* There was my proof.

As I mentioned, you never know where your research will lead. It was because of Gloria’s mystery and the fact that Theresa wound up in the Florida State Hospital that my latest nonfiction book, Out of Mind, Out of Sight, was born. It is the first book to give a complete history of the mental facility at Chatahoochee, Florida, after more than 135 years of existence.

So, you see, research really is like a mystery waiting to be solved.


*This is not a standard term used in today’s mental health field.





Wednesday, June 13, 2012

8 Publishing Landmines & Helpful Tips for Writers



Katie Ganshert was born and raised in the Midwest, where she writes stories about finding faith and falling in love. When she’s not busy plotting her next novel, she enjoys watching movies with her husband, playing make-believe with her wild-child of a son, and chatting with her girlfriends over bagels. She and her husband are in the process of adopting from the Congo. You can find her online at her blog and on Facebook.  








A little over a month ago, one of my lifelong dreams came true. I officially became a published author. My debut novel, Wildflowers from Winter, hit the shelves.

I’m a reflective person by nature, so I often ask the question: How did I get here?

The simple answer: I did some things right and I did some things wrong.

I thought I might share both with you today.

When it comes to navigating this huge field called publication, we run the risk of stepping on all kinds of landmines—those hidden dangers that knock us on our rumps. Here are eight of the more popular ones I’ve seen. I know because I’ve stepped on a few of them.

Be on the lookout for…

1. The Comparison Landmine
We pay attention to how long it takes other writers to get an agent, who’s getting book deals, who’s self-publishing, who’s selling more books, who has more blog readers, who’s winning awards, who’s receiving accolades, etc, etc. Before we know it, we’re wishing for so-and-so’s journey instead of our own. Remember, everybody’s writing journey is unique. God has us on our own path for a reason.

2. The Book One Landmine
So many writers get stuck on book one. Polishing, polishing, polishing, unable to let go and 
move on. Might our first book get published? Sure. Will we make a career out of one book? No. At some point, we all have to set aside our first effort and write something new.

3. The Contest Landmine
Contests are great. We get feedback from judges and winning can be a huge foot in the door. But sometimes, we get so focused on making those first fifteen pages perfect that we neglect the remaining two hundred seventy-five. Fiteen shiny pages does not a novel make.

4. The Defensive Landmine
Critique is part of the writing life. Whether it’s from a fellow writer, an agent, an editor, a reviewer, or a reader. Are we listening—really listening—to the critiques? Or are we letting our predisposition to like our own story get in the way of growth and improvement?

5. The Cosmetic-Obsessed Landmine
It’s a whole lot easier to get rid of adverbs and tighten our prose than it is to address the serious problems. Here’s the thing. We can write the most beautifully, tightly written novel in the history of all novels, but if the plot, structure, or character development is flawed, all the cosmetics in the world won’t help. Jody Hedlund recently blogged about this in a post titled Why Skimping on Macro Editing Could Cost You Readers.

6. The Immediate Gratification Landmine
Publication is a long journey. There’s nothing immediate about it. Letting impatience dictate our next move will often lead to regret.

7. The Recluse Landmine
The days of holing up in our offices and turning out novels for our publishers is long gone (not sure they ever existed). The act of writing might be a solitary endeavor, but being an author isn’t. If we have a do-it-alone mentality, we’ll either never get published or we’ll miss out on the rich relationships that often come when we reach out to encourage and be encouraged.

8. The Social Butterfly Landmine                                                                    
Social media is good and necessary. But if we’re putting more energy into Twitter and Facebook and blogging than we are into our stories, than we’re stepping into dangerous territory.

On the flipside of what not to do, I believe there are things we should do. Things that help us reach our goals.

Here are eight things I did that I believe helped me get to where I am today:

1. I sought and listened to critique.
Whether that meant paying a professional, reading feedback from contest judges, or finding a critique partner, I did my best to push past my defenses and learn from the feedback.

2. I read LOTS of craft books.
I spent an entire summer devouring every craft book known to man and frequently revisit some of my favorites.

3. I read LOTS of fiction.
In my genre, sure. But more important than that, I’m always searching for high-quality fiction, regardless of genre. The kind that will challenge and inspire me to be a better storyteller.

4. I joined ACFW, (American Christian Fiction Writers)
Support, networking, and education. Three huge benefits to joining a writing group.

5. I went to a conference.
I know conferences are expensive, but they’re worth every penny. Especially if you feel like you have a story that is truly ready for publication. Having a face-to-face meeting with an agent or editor is so much more effective than a query letter.

6. I learned about the industry.
Not only did I make a point to study the craft, I made a point to study the industry. This is a great starting place. So is my agent’s blog, Rachelle Gardner.

7. I kept writing.
I wrote three books before getting an agent. Five before getting a book deal.

8. I persevered.
Rejection is a part of the process. So are the excruciatingly long waits. Writers who get published are writers who persevere through both.

Let’s Talk: Have you stepped on any of the landmines mentioned above? What has been helpful in moving you forward in your writing journey?

Wildflowers from Winter

A young architect at a prestigious Chicago firm, Bethany Quinn has built a life far removed from her trailer park teen years. Until an interruption from her estranged mother reveals that tragedy has struck in her hometown and a reluctant Bethany is called back to rural Iowa. Determined to pay her respects while avoiding any emotional entanglements, she vows not to stay long. But the unexpected inheritance of farmland and a startling turn of events in Chicago forces Bethany to come up with a new plan.
Handsome farmhand Evan Price has taken care of the Quinn farm for years. So when Bethany is left the land, he must fight her decisions to realize his dreams. But even as he disagrees with Bethany’s vision, Evan feels drawn to her and the pain she keeps so carefully locked away.
For Bethany, making peace with her past and the God of her childhood doesn’t seem like the path to freedom. Is letting go the only way to new life, love and a peace she’s not even sure exists?

Wednesday, June 22, 2011

Surviving My First Year as a Published Author, by guest blogger Karen Witemeyer

Karen Witemeyer writes historical romance fiction for Bethany House, believing the world needs more happily-ever-afters. Her debut novel, A Tailor-Made Bride, is a finalist in the Best First Book categories for both the prestigious RITA® award and the National Reader's Choice Award. She makes her home in Abilene, TX with her husband and three kids. Please visit her at her website.


Surviving My First Year as a Published Author

It's hard to believe that I've been a published author for over a year now. My first book (A Tailor-Made Bride) debuted in June 2010, and just last month, my third book with Bethany House, To Win Her Heart, hit the shelves. What an exciting whirlwind adventure this has been!

For those of you who are not yet published, I thought I'd share a few of the myriad lessons I've learned during the transition from hopeful writer to published author. Believe it or not, signing a publishing contract is not the pot of gold at the end of the rainbow. It is just the beginning of another journey, one that will take you through unfamiliar territory with a whole new set of obstacles and pitfalls to navigate.

Learning to work with an editor.

Most of you have probably worked with a critique group or received feedback from contest judges on your manuscript. Some of you may have even invested in hiring a freelance editor to go over your book. All of this is wonderful for helping you perfect your craft, and I highly recommend it. I still work with my critique group on every book I write. However, making the switch from critique group to publishing house editor is like switching from working with a high school baseball coach to a major league manager. The expectations placed upon you increase and the time to make improvements decreases. Thankfully, the editor wants you to succeed just as much as you want to succeed, so it can be a marvelously rewarding partnership.

In learning to work with an editor, attitude makes all the difference. Here are some tips for making this process a blessing instead of a trial:

• Trust your baby to the care of another. You are no longer simply a passionate writer, creating the story that best pleases you. You are now a professional writer who must please a publisher and readers. Don't forfeit the passion, but temper it with professionalism. I often hear unpublished writers say things like, "If an editor ever suggested I change X about my manuscript, I'd find a different publisher." I strongly caution against this attitude. Publishing is a team effort. Be a team player and remember that the publishing world is a small one. Don't make things harder on yourself by gaining a reputation as a diva.

• Editors are allies, not enemies. It might not feel true when you get that 12 page, single-spaced substantive edit letter, but keep your defenses in check. Remember that your editor is there to help you create the best manuscript possible.

• Approach conversations with humility. Editors know the market better than you do. They know what their readers like. Submit to their mentoring and heed their advice, but don't be afraid to respectfully speak your mind if you have a strong aversion to one of their suggestions.

Dealing with deadlines.

• Everyone writes differently. Some pour out their stories unchecked then go back and add layers, weaving in editing as they work through multiple drafts. Some outline extensively before ever writing a word. Some spend weeks delving into research. I'm one of those odd ducks who uses both sides of my brain at the same time, editing as I go. This makes my pace slow as I constantly edit as I create, but I essentially write only one draft.

• The key to dealing with deadlines is to know your writing pace and plan accordingly. Set realistic intermediary goals. (For example, instead of a daily word count, I choose to set weekly goals. I try to write one polished chapter a week.) Then be sure to budget a cushion into your schedule to allow for unforeseen circumstances. Illness, family vacations, work duties—many things can pull you away from your writing. Don't add to your deadline stress by cutting things too close. I try to pad my deadline by 2-4 weeks to give myself some flexibility. Plus it's cool to get brownie points by turning in a manuscript early.

Handling Reviews

• Good reviews can send your spirit soaring, and bad reviews can send you plummeting into a pool of doubt and insecurity. You must learn to find balance. Some wise authors I know choose not to read reviews at all. I have to admit that I can't seem to resist the lure. I check my reviews on Amazon every day and eagerly await news from my publisher about trade reviews. Publisher's Weekly tends to give me great write-ups, yet the ones from Romantic Times are usually a bit lackluster. The inconsistency can be frustrating, but I constantly remind myself that reviews are subjective. That fact became very evident when my publisher decided to offer my debut novel as a free e-book download last month. I was pleasantly surprised by all the new 4 and 5 star reviews, but then there were the 1 star reviews that came with them. Ick.

• Not everyone will love your book, so gird your loins in advance.

• Enjoy the pleasure of positive reviews, but don't let them puff you up with pride. When pride comes, then comes disgrace, but with humility comes wisdom. ~Proverbs 11:2

• Learn what you can from a harsh review. Look for ways to improve your craft for future projects. However, don't dwell on the sour words. They will destroy your confidence and steal your passion. Glean what you can, then walk away.

This publishing journey can be a long and arduous one, but it is rich with rewards as well.

For those of you who are still seeking publication—what makes you the most nervous about making the transition to published author?

And for you published authors—what other advice would you share with upcoming writers regarding what to expect after the contract is signed?

Everyone who leaves a comment will be entered for a chance to win a copy of my latest release, To Win Her Heart.


Having completed his sentence for the unintentional crime that derailed his youthful plans for fame and fortune, Levi Grant looks to start over in the town of Spencer, Texas. Spencer needs a blacksmith, a trade he learned at his father’s knee, and he needs a place where no one knows his past. But small towns leave little room for secrets. . . .

Eden Spencer has sworn off men, choosing instead to devote her time to the lending library she runs. When a mountain-sized stranger walks through her door and asks to borrow a book, she steels herself against the attraction he provokes. His halting speech and hesitant manner leave her doubting his intelligence. Yet as the mysteries of the town’s new blacksmith unfold, Eden discovers hidden depths in him that tempt her heart.

Levi’s renewed commitment to his faith leads Eden to believe she’s finally found a man of honor and integrity, a man worthy of her love. But when the truth about his prodigal past comes to light, can this tarnished hero find a way to win back the librarian’s affections?

Don't forget to leave a comment to be entered in the drawing for this book!