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Showing posts with label finishing a manuscript. Show all posts
Showing posts with label finishing a manuscript. Show all posts

Wednesday, January 11, 2017

WRITING TO DEADLINE: Friend or Foe?

by Normandie Fischer

When I hear an aspiring author say he’s been working on a manuscript for ten (or fifteen or twenty) years, my first thought is that he’s a perfectionist. He’s learning his craft.

Great idea.

But then he says, “My problem is that I can’t find the time to finish it.”

Aha. Time.

His words beg the question: Do all published authors have hours of silence, hours with no demands, hours when they’re not expected to play some other role? Because if they don’t, how do they ever finish a manuscript?

Could it be that finding time to write is all about making time to write?

Many of my writer friends are under contract to produce a certain number of books per year, which means that much of their day is dedicated to writing the next book while marketing the ones already released—if they’re not busy plotting or writing the next book while they wait for edits of a recently submitted manuscript. Traditionally published authors have two main jobs—writing and marketing—both of which take an inordinate amount of time.

And what about indie authors? These folk are acting as their own small publisher—writing and rewriting, then hiring editors (both developmental and copy) and proofreaders and cover designers and formatters. They decide on release schedules and get hopping on that marketing of the old and the new. If they want to create an audiobook, they have to research the narrator and oversee the production. The onus is on them for every aspect of every book, all of which takes an inordinate amount of time.

Which brings us back to: “I can’t find the time.” If there are only a limited number of hours in a day, days in a week, weeks in a month, and months in a year, how do some manage to publish while others can’t find the time even to finish a draft?

I see the hands waving and suggestions flying that some are called and some are not. Fine. Agreed.

And yet, isn’t it possible that some absolutely brilliant writers remain brilliantly hidden because they haven’t made the time to write, hiding behind the idea that they can’t find the time?

I am a new convert to the idea that, whether traditionally published or indie published, we all need deadlines. A few months ago, I would have scoffed at the notion of an indie needing a deadline. I did the traditional dance with my first two books and then skipped happily into indie land. (And, yes, it was probably about control. Sigh.)

One of the elements I was certain would work well with my personality and work ethic was the freedom to set my own pace.

Until that pace stalled. And this always-on-time-if-not-early person found herself flailing in maybe-later land.

The only way I got back into production was to set a goal—x number of words a month—and a deadline—a send-to-editor-by date. Sure, the deadline was arbitrary. If the date came and went minus a checkmark for task completed, no agent or publisher's editor would flail me with a verbal whip. But I’d know. And I might miss my own editor's window.

The process worked. The Christmas book released. And here I am, ready to do it again on my next manuscript.

So, what's your time-management story? Have you blamed lack of time when you failed to complete a writing task? Has setting a goal helped?

TWEETABLES

Writing to Deadline: Friend or Foe? by Normandie Fischer (Click to Tweet)

Dare to Deadline or Finish that Novel ~ Normandie Fischer (Click to Tweet)

The only way I got back into production was to set a goal ~ Normandie Fischer (Click to Tweet)


Normandie Fischer studied sculpture in Italy before receiving her BA, summa cum laude with special honors in English. She and her husband spent a number of years on board their 50-foot ketch, Sea Venture, sailing in the Sea of Cortez, Mexico. They now live in coastal North Carolina, where she takes care of her aging mother. She is the author of six novels. Read more on her website, Facebook, and Amazon.

Saturday, November 19, 2016

When you Can't Run, Crawl

by Kelly Klepfer

I’m no stranger to discouragement. Likely, you could say the same. How many opportunities are there to find a brick wall, a difficult situation or challenging person in our lives? Yeah, that many. Sigh.
I’m sharing about a trudge through the mud of discouragement I suffered while co-writing my book, Out of the Frying Pan. More importantly, what I learned in that season.


My co-author, Michelle Griep, is far more disciplined and prolific. As a matter of fact, this is her sixth or seventh book release and she’s just contracted for three more.

She’s very good. I mean, the woman can write. We met at an on-line Christian author critique group. She and I hit it off right away. We bantered, shared sarcasm and even began sharing lives. Soon our families got involved and bonded. We became sisters separated at birth and became aunties to each other’s kids.

Michelle plugged away at writing. I played with it. We both got little pieces published and had some bigger successes, too. But I hung on the fringes. Not that I didn’t want to write and be published, but I didn’t want to pursue publishing if I didn’t feel like there was something that I specifically needed to say. I did have an idea for a story. About elderly sisters-in-law who happen upon a murder scene. Michelle loved the idea and we decided to write it together. I was given the task of putting the skeleton together and then we’d each pick main character points of view to write and add the muscle, skin and personality.

Other than the fact that I would drag my feet, this worked well. She would pester me to write a few scenes, I would, she’d write a few. Then I’d suggest she write another book and we’d put it on hold. This novel has been a very long labor. Because Michelle was the stronger writer, I deferred to her. The woman loves to edit, too. At one point she sent me the manuscript so I could get up to speed and I noticed my scenes had been edited to sound very much like her voice. Now picture Pac-Man and that sound he makes when those little ghost things get him. That is the sound my confidence made.

The changes were in rewording some of my stiffly written prose. My heart was still in my scenes but I couldn’t see that. I sunk into a funk. Finally, we talked about it, and she agreed that she could just send me suggestions and I could fix the problems, but the arrows of insecurity and failure had sunk deep into my joy. I told her I needed a break from the story and went to a corner to lick my wounds. I’d love to give you deep spiritual truths and applications revealed by the Lord through my prayer and immersion in the Word in my time of need. But I have to admit that taking this to the Lord wasn’t a priority. My pity party was.


Delighted that Michelle had another project to work on I slowly began to process and deal with my insecurity. I continued to read, review and blog, working on my writing skills that way. But Michelle eventually asked me to pick up where we left off. The story was too good not to tell and we needed to finish it. I agreed and persevered. What I noticed was that the tools, the conference knowledge, the how-to book sense, I’d packed in the back of my brain somehow had come to the surface through the reading and processing I’d been doing which was using those neural pathways.
Since I had shared my heart with Michelle, and my commitment to work on the book was short term and a close family member was hospitalized leaving me hours sitting in a quiet hospital setting I set out to finish as soon as I could. I just wrote scenes on my phone and sent them to her telling her to let me know what I needed to fix.
I will never forget the comment I received from her after: “Did you seriously just crank that scene out in twenty minutes? Because if you did, I hate you. It would take me hours to get a scene that ready.” Another critique partner read it and said I had grown leaps and bounds as a writer.

I don’t tell you this because I think I’ve arrived and am a good author. Far from that. But I share because of what I learned:

1.    Sometimes we have to process hard things. And in the processing we mature. However, if we ignore what we are supposed to work through we get stinky.

2.    A real friend is willing to tick you off, even hurt you to help you deal with something that’s holding you back.

3.    What you’ve learned and poured into your mind isn’t wasted. God has created an amazing brain for each of us and it doesn’t sleep. If something is important to you and you are willing to do the addition and subtraction you will eventually wake up and realize you understand more complex things.

4.    God’s faithfulness to me isn’t dependant on my attitude or choices. He lets me pout in the corner until I come to my senses. And teaches and blesses me anyway.
And on the chance that you are a writer or want to be, take heart. If you plug away and follow the wisdom of those who have gone before and you read good books, books like you’d like to write, you might be amazed at what happens when it clicks.

-------
I initially wrote this post for Elaine Stock for the blog tour for Out of the Frying Pan. Michelle, my co-author suggested that I share it here, too. Because writing is 20% soaring and 80% agony, insecurity and angst and anyone in the 80% needs all the encouragement they can get.


TWEETABLES

When you Can't Run, Crawl by Kelly Klepfer (Click to Tweet)

What you’ve learned and poured into your mind isn’t wasted.~Kelly Klepfer (Click to Tweet)



Kelly Klepfer had ambitions to graduate from the school of life quite awhile ago, but alas . . . she still attends and is tested regularly. Her co-authored cozy/quirky mystery, Out of the Frying Pan, is the culmination of several of the failed/passed tests. Kelly, though she lives with her husband, two Beagles and two hedgehogs in Iowa, can be found at Novel Rocket, Novel Reviews, Scrambled Dregs, Modern Day MishapsInstagram, Pinterest, Facebook, Goodreads and Twitter with flashes of brilliance (usually quotes), randomocities, and learned life lessons. Zula and Fern Hopkins and their shenanigans can be found at Zu-fer where you always get more than you bargained for. 

Saturday, August 16, 2014

The Two Hardest Words

By Michelle Griep
Contrary to popular belief, they’re not, “I’m sorry.” Or, “You’re right.” Or even, “Colonoscopy, please.” Sometimes the hardest two words for a writer to pen are:

The End

No, I’m not kidding, and yes, I hear you. "What the flippity-doo-dah is scary about that? Centipedes, I might understand. A herd of rampaging gorillas is a valid fear, especially if they’re toting AK-47s. But this . . . sheesh . . this is just plain stupid. Writing the grand finale is the fun part you big idiot!"

Yes, it is fun, but there's also a certain amount of trepidation involved. Were all the loose ends tied up? Is it satisfying enough? Is the ending too abrupt? Too drawn out? Why am I in this handbag and where am I going?

Some authors whiz through this stage of the game, but there are many who wrestle with these demons. You are not alone. And you, like me, have to deal with these burning questions because otherwise they'll hide in the corner and grow into spiders large enough to star in a cheesy horror flick.

What to do? There aren't any easy answers, but here's a plan. Grab a Sharpie and write the following three inspirations on sticky notes, then fix them to your screen.

This is only a rough draft.
Get words down on paper and then you can change it later.

Trust your critique partners.
If your ending is giving off an odor like the rotten potato I found in my kitchen drawer last night, trust that they'll point out the stinky parts.

Write for fun.
Sit down and write for enjoyment instead of for the purpose of writing The End. If you're tense, it'll show.

There will come a day when you type ‘The End.’ It will be magical and satisfying. Go ahead and celebrate the moment in sweet, ignorant oblivion.
Because there is something else barreling down the pike, aimed for your heart.


Michelle’s been writing since she first discovered blank wall space and Crayolas. Her recent release is A HEART DECEIVED, a gothic regency put out by David C. Cook (June 2013). If you’d like to keep up with her escapades, find her at www.michellegriep.com or www.writerofftheleash.blogspot.com or stalk her on Facebook, Twitter, or Pinterest.