Get a Free Ebook

Five Inspirational Truths for Authors

Try our Video Classes

Downloadable in-depth learning, with pdf slides

Find out more about My Book Therapy

We want to help you up your writing game. If you are stuck, or just want a boost, please check us out!

Showing posts with label character reactions. Show all posts
Showing posts with label character reactions. Show all posts

Saturday, August 30, 2014

Give the Girl a Gun

Peter Leavell, a 2007 graduate of Boise State University with a degree in history, was the 2011 winner of Christian Writers Guild's Operation First Novel contest, and 2013 Christian Retailing's Best award for First-Time Author. Peter and his family live in Boise, Idaho. For entertainment, he reads historical books, where he finds ideas for new novels. For relaxation, he writes westerns. Whenever he has a chance, he takes his wife and two homeschooled children on crazy but fun research trips. Learn more about Peter's books, research, and family adventures at www.peterleavell.com.



Studying gender stereotypes is as much fun as I can have. Why? Because once upon a time, I believed those casts defined everyone. A woman’s place was locked in the kitchen while she gently pined for a life outside the home. A man worked a brutal eight-to-ten hour day, with only two days off a week. He longed for a castle at home while his pretty and demure woman waited on him.

There’s a Bible verse about it somewhere that justifies the idea—I didn’t know where—that’s just what I hear.

I just slapped myself so you don’t have to.

My writing reflected my beliefs. I didn’t see people as individuals. Instead, I followed the stereotypes, and my characters were locked into these gender rolls. The girl couldn't defend herself.

About a decade ago, everything changed. My wife and I reversed rolls when I went to college. I was so exhausted with a full time job and college (gender studies class, ironically) that my wife went to work and I stayed home. Homeschooling our two kiddos was a blast, cooking was a breeze, and keeping the house clean was simply daily maintenance.

Day two I was tired, but I kept up the same regiment.

By day five, frustrated by repetition in chores, I tried to design a laundry-folding machine and failed.

On the other hand, I was tickled to get to know the children better.

At the start of the next week, my wife came home from work exhausted. I was eager to tell her what the kids had done, but she just wanted to eat, relax a bit, and then go to bed. The thought ran through my mind—if she really loved me, wouldn’t she want to hear how my day went? To start the conversation, I asked her what happened at work, and she babbled, animated, for ten minutes, and then rolled over and went to sleep.

I know this was a jump, but I wondered if someone was making my wife happier than I could. Tossing and turning, I spent most of the night guessing where our relationship was going.

A few days later, I’d had it with the bag I’d been using for school. I went shopping, and overheard several ladies chatting about their husband’s clothing and how to get the funny smells out. I gossiped with them for a bit, and we arrived home late. My wife didn’t say anything, but I could tell she was a little peeved dinner wasn’t ready. I simmered. I’ve done a lot of cooking lately. Would it kill you to take us out to eat now and again? Just for a little break?

I craved adult conversation. An online group for stay at home fathers accepted my ‘join’ request. Watching them complain about the little things their wives did was too annoying. I quit right away.

Suddenly it dawned on me that I walked the path of a stereotypical housewife. I harbored feelings that had nothing to do with my gender, but simply as a human being playing a role in a family. The necessity of the roll I’d taken dictated natural emotions and needed support just like any job.


It realized all my characters were locked into gender stereotypes.

I changed my female characters in my books. No longer demure and helpless, I empowered them with weapons of all sorts, from determination and cunning to love and swords. Sometimes they save the men. Sometimes children save grownups. If all possible, I let her defend herself.

I gave the girl a gun.

A few weeks later, I went back to work. Sheesh, being a stay at home mom was too difficult.



Gideon's Call is an unprecedented tale of tragedy and triumph amid the backdrop of the Civil War through the story of Tad, a very clever slave boy who comes of age as America’s war reaches the sea islands of South Carolina. Tad’s desire to better himself is obstructed by the color of his skin, until Northern soldiers force the evacuation of white plantation owners, setting 10,000 slaves free in a single day. These circumstances seem like a dream, except that the newly freed slaves have no money, no education, and little hope for the future—unless someone rises up to lead them. Based on true events, Gideon’s Call is the dramatic tale of a young man who battles the shame of his past and faces the horrors of war and unimaginable prejudice to become the deliverer of thousands of freed slaves.

Saturday, November 10, 2012

Cardboard Characters

Here is a problem I find in my own writing and one I see in a lot of submissions:

Characters so focused on their own agendas that they don’t react like normal human beings to what is going on around them.

Let’s make a quick scene for a character with an agenda:
Sharon was thinking about the cute new boy in her math class as she walked to school with Julie. She wondered whether Julie thought he was cute or not. If Julie was interested, Sharon didn’t stand a chance. 
“So what do you think of Barney?” Sharon asked. “The new kid in Math.” 
 “Are you talking about the kid who—”
Before Julie could finish her sentence, a car screeched around the corner and smashed into a fire hydrant not fifteen feet from where the girls stood.
Julie screamed.
Water sprayed up like a geyser.
A man crawled out of the driver’s seat, getting soaked in the process.
“You know,” Sharon said, steering Julie away from the water. “Barney. The kid who just moved here from California. What do you think of him?”


Let Go of the Agenda

Speaking, one time about characters reacting in unrealistic ways, freelance editor Rebecca LuElla Miller said:
Never let a character act or speak just to convey information to the audience. They always have to act according to their own personalities. Ask yourself, “What would she say next?” rather than asking, “What does the reader need to know now?”
I would add, “They not only have to act according to their own personalities. They also need to react to the world in a natural way. “

So on the first draft, constantly ask yourself, “What would she do/say next?”

And then…

Be Aware When Editing

My characters most often fail to react to things that I’ve edited into a second or third draft.

I write the first draft with my scene agenda in mind. For the bit I gave you above we can see that Sharon’s agenda is to find out if Julie is interested in Barney.

When I go back for a second draft I often notice that I was writing fast on the first pass and my characters are having conversations with no scenery to show us where they are. So I add in things. They are walking down the street. What does it look like? It’s a big city so there are cars going by. Then I begin to try to do two things at once. “Hey,” I’ll think, “this is a good time to foreshadow the accident that is going to occur in chapter thirteen. I’ll have a car skid around the corner. That will set up the fact that it’s a dangerous corner.”

So I’ll add in the car skidding around the corner. And then sometimes I forget that the characters have to react to the new element I’ve just added in.

There are other causes to cardboard characters. Have you read any books or manuscripts with cardboard characters? What caused them to feel unreal?
photo credit: peasap via photopin cc 
 ~~~~~~~~~~~~~~~~~~~
Sally Apokedak is an associate agent with the Leslie H. Stobbe Literary Agency. She's in the process of building a dynamite list of authors.