by Yvonne Lehman
We writers are often told to use the “What if?” factor in our writing.
Our response can get us started in our stories, or be an effective tool when we feel stumped.
However, no matter how creative a “What if?” incident, if it doesn’t constitute a scene which has purpose and furthers the story, it becomes “So what?”
The question I’ve been asked most in my writing career is not, “How many wonderful scenes do you have in this book?” but, “Why did you write it?” Another is, “Where did you get your idea?” which is another way of asking, “Why this story?”
We writers are often told to use the “What if?” factor in our writing.
Our response can get us started in our stories, or be an effective tool when we feel stumped.
However, no matter how creative a “What if?” incident, if it doesn’t constitute a scene which has purpose and furthers the story, it becomes “So what?”
The question I’ve been asked most in my writing career is not, “How many wonderful scenes do you have in this book?” but, “Why did you write it?” Another is, “Where did you get your idea?” which is another way of asking, “Why this story?”
















