
by
Mike DuranSo I’m minding my own business, listening to a conservative political talk show, when an advertisement for
The Unseen and
Field of Blood airs. Hey, what better place to feature T.L. Hines' and Eric Wilson's new thrillers than on primetime, mainstream, political talk radio? As if this election wasn't scary enough.
Frankly, it's good to see "Christian horror" making such inroads. Okay, so that's not the term we like to use. Just mentioning the word "horror" conjures images that are, at first blush, antithetical to everything "Christian". When gore-fests like Saw V, which opened this weekend, occupy such high-profile shelf space, it's understandable that writers of religious fiction would distance themselves from the term. Like it or not, the horror genre is usually equated with occult-laden splatter flicks aimed at indiscriminate teens or uncivilized adults. Whether or not that
distinction is totally accurate, Christians tend to favor "thriller" or "supernatural suspense" as the term of choice and hedge at being labeled "horror writers."
So it was refreshing to hear one acquisitions editor from a Christian publishing house recently admit that
the distinction between "horror" and "supernatural suspense" is purely semantical. As much as authors resist the label, popular Christian Fiction has its share of devils, demons, occultists, serial killers and varied creatures of the night. Frank Peretti's,
This Present Darkness remains a landmark, one of the biggest selling religious fiction titles ever. The book is filled with descriptions of leathery, sulfur-breathing, black-taloned, drooling demons, battling majestic, handsome, angels.
Melanie Wells' supernatural suspense trilogy sports a rather ethereal, anemic-looking antag with a penchant for haunting. And while
Peter Terry may not be
Pinhead, their aims are akin. Tosca Lee's
Demon: A Memoir, is told from the angle of a angel, a very fallen one. The book has garnered so much buzz, it's led the folks at CBA Industry Blog to ask,
Is Tosca Lee the Next William P. Young? So yes, Christian Fiction has its share of monsters and devils. Even
Bigfoot shows up on occasion.
Though the line between Christian Fiction and the horror genre is tenuous, more and more Christian authors are skirting it. Some of that evidence includes:
- Eric Wilson's Undead Trilogy -- The first installment released this month; its plot includes, of all things, vampires!
- Sta Akra -- Sta Akra is Greek for "on the edge" -- A group of nine successful Christian authors like Tim Downs, T.L. Hines, Bob Liparulo, and Melanie Wells, pushing toward more "edgy" Christian Fiction.
- Kathy Mackel's "Christian Chillers" -- It's a term she's coined to re-frame the "Christian horror" category.
- Anne Rice's upcoming "Christian vampire" story -- As reported in Time magazine earlier this year, in an article entitled Lestat Lives, Ms. Rice says the story will be "redemptive" (in keeping with her recent conversion to Catholicism).
- Coach's Midnight Diner -- Described as "A hardboiled anthology of horror, mystery, and paranormal fiction" with a Christian spin. The second issue is due out this December.
- Fear and Trembling -- An e-zine sponsored by the folks at Double- Edged Publishing showcasing "horror and dark fiction" that "will not offend traditional Christian values."
Okay, so it's not earth-shattering, but things like this give me hope that the ocean liner that is Christian Fiction is slowly changing course (at least, broadening her horizons).
Maybe I'm in the minority, but when it comes to fiction I have little qualms about splicing the terms "Christian" and "horror." After all, some of the basic staples of Hollywood-ized horror (see: the Seven Deadlies, Lucifer, Hell and their associated torments), find their roots in Scripture. The Bible is replete with principalities and powers, wailing and gnashing of teeth, the slaughter of children, human sacrifice, souls in eternal anguish, decapitations, dismemberments, fire and brimstone and blood. Classics like Dante's Inferno contain some of the most macabre, disturbing images in Christian literature. And parts of the Book of the Revelations can only be described as pure nightmare.
Classic horror, though not always explicitly Christian, nevertheless uses the disturbing to explore the boundaries of existence and the human psyche. Yes, Frankenstein's monster is a bad-ass. But it's the questions about "human creation" that make the tale so unsettling. Dracula, Dr.
Jekyll and Mr. Hyde, the Invisible Man, The Portrait of Dorian Gray, are all morality plays of one sort or another. Their shock value serves only to prick our fallen sensibilities and illumine a greater good.
One of the main reasons we Christian authors distance ourselves from the horror genre is the disproportionate amount of crap found there. But there's a big difference between pointless splatter flicks like Saw, Hostel, and The Hills Have Eyes, and the supernatural and psychological terror of films like The Exorcist, The Sixth Sense, and The Exorcism of Emily Rose. Likewise, there's a decided dissimilarity between the "horror" of Dean Koontz, Ted Dekker and Frank Peretti, and the Texas Chainsaw Massacres of the world. Rather than shun the "horror" label, we should reclaim it. There's a big difference between exploring the terrors of a world gone wrong, where real evil stakes a territorial claim on human souls, and the grizzly, amoral exploitation that's pawned off as entertainment.
If any genre is ripe for the Christian imagination, it is "horror."
Whether or not we are trending toward something new in Christian Fiction has yet to be seen. But I would personally be excited about believers claiming -- or re-claiming -- a place in the discussion.
Your thoughts...
Tags: christian horror, christian fiction