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Thursday, March 22, 2007

Critique the Critiquer

Just to be fair, we figured we'd give you a chance to slash us, er, I mean help us improve our work. This chapter is Gina's. It's excerpted from a novel rejected across the board by CBA publishers and is now shelved. It was her second manuscript. She's currently at work on number five.

What stands out to you which could be improved? We'd love to hear your ideas and suggestions. Don't worry, Gina's skin is even thicker than her skull.

A Demon, a Diva and a Dog Named Dirk

The psychiatrist scribbled something in the notebook resting on his crossed knee. “What made you finally call me?”

Valencia Shannon lay on her back, trying to ignore the lumps of couch cushion jutting into her spine. She gazed at the particles of dust frolicking in a stream of sunlight filtering in through the A-framed ceiling’s wood beams. “Before she died, my Mom told me if the voice ever came back, she’d take me to see you. That any other doctor would label me schizophrenic and wrap me in a straight-jacket.”

She propped herself onto her elbow and faced him. “Well, it’s back.” As she waited for him to say something insightful, she eyed a painting of a man riding a winged horse into the blazing sun … upside down. She turned to look at another painting, this one of a mother cradling an infant, also facing south. Craning her neck, she scanned the room. A half-dozen oil paintings, all expensive looking, all framed in gilded gold … all hanging upside down.

The doctor cleared his throat in an exaggerated manner, then tossed his notebook across the cocktail table, knocking over a small potted ivy. Dirt flecked with white spilled over a yellowed National Geographic. “You’re insane.”

The heat of anger mixed with embarrassment set a fire under her and she bolted upright, planting her feet on the thread-worn rug. “Excuse me?”

The psychiatrist peered over his finger-smudged bifocals at her, looking as bored as a human could stand. “That wasn’t one of your auditory hallucinations, Ms. Shannon, I said you’re nuttier than a Snickers bar.”

She wrinkled her face in horrified disbelief. It had taken all the courage she had to admit she heard things no one else did. Terrible, frightening, things. After twenty-two years of denial, she finally mustered the courage to tell someone, other than her late-mother, that she was different than other girls. His reaction was the one she feared most.

I shouldn’t have come.

Tears threatened to strangle her words. “That’s not what you told my mother.”

The over-sized plaid chair he sat in made him seem even scrawnier than his one hundred fifty pound frame. He un-crossed his polyester covered legs and didn’t bother to cover his yawn. This rude twerp was the man her mother shared her secrets with?

He stared at her with eyes a little too close set, magnified to twice their actual size by thick lenses. Maybe she was missing something. If Mom felt comfortable with him, then he had to be all right, didn’t he? Yet her instincts screamed that this was all wrong. He was all wrong.

“If your mother heard voices, then she was loony too.”

“What do you mean if?”

She threw a glance at the desk littered with stacks of ancient, leather-bound books and re-read his brass nameplate just to be sure—Dr. Bartholomew Stein. Maybe there was more than one psychiatrist in Arlington by that name? “You don’t remember my mother, Kelly Shannon?”

He sucked in his lips then blew them back out, making an unexpected display of raspberries. She thrust back to avoid being soaked by his flying spittle. He jerked his head back and forth on his narrow shoulders like a human pendulum. “Kelly … jelly … welly … Kelly.” Without warning, he jumped up, threw his arms out airplane-style, and began ‘flying’ around the room.

All hope of his assistance dissolved. She grabbed her coat and bag and headed for the door. “If I’m a Snickers, you’re a Payday.”

As she reached for the knob, the door swung open and a white-haired man dressed in a thick cardigan and fat, brown tie stared back at her. “Sorry I’m late, Valencia.” His gaze darted from her, to the askew paintings, finally resting on the human 747. His tone took on a crisp edge. “Marvin, what have we talked about?”

The plane landed.
“I’m just filling in. Marvin likes to help. Marvin likes to pretend.”

The white-haired man, Valencia now presumed to be the real Dr. Stein, shot her an apologetic glance, then headed toward the painting ahead of him and turned it upright. “I know Marvin likes to help, but I’ve asked Marvin,” he hung his head for the briefest moment, then turned around, “—you—I’ve asked you twice before not to enter my office. You’re job is to simply ask patients to sign the book and have a seat.”

Marvin jutted an accusatory finger in her direction. “She’s crazy. She hears voices.”

The doctor pushed Marvin’s finger down. “Not everyone who hears voices is crazy, Marvin.”

“Marvin hears voices.”

Dr. Stein gently lifted the glasses off him. “Though some are.”

“Marvin feels sad.”

The doctor drew a handkerchief from his pocket and rubbed the lenses clean. “That’s called remorse. It’s normal and shows me you’re sorry.”

Marvin looked up with wide, adoring eyes. “I’m normal?”

Dr. Stein slid his bifocals on and blinked at Marvin an uncomfortably long time. “It’s normal to be sorry for something you’ve done wrong. And this was wrong, Marvin. One more time and I’m going to have to let you go.”

“I’m not fired then?”

“The next time you impersonate me, you will be.”

Marvin’s grin threatened to split his face. He gave one more celebratory flight around the room, zig-zagging between the couch, chairs and finally circling Valencia as she clenched her arms to her side to avoid being hit. Dr. Stein held the door open and Marvin tilted his wings, then made a bizarre exit.

Dr. Stein locked the door behind him and turned to Valencia, his brow creased with concern. “I should know better than to leave my door unlocked. Did he do much damage?”

“He told me I was nuttier than a Snickers.”

Shaking his head, his expression hinted of mirth. “If you’re a Snickers, he’s a Payday.”

She set her purse back down. “That’s exactly what I said!”

A dimple on his left cheek sank into white stubble. “Great minds think alike.” He paused and gave her an odd, scrutinizing look. “You bear an uncanny resemblance to your mother … I miss her.”

Her stomach tightened. “So do I.”

He held out his arm toward the tattered, burgundy sofa, sending a hint of Old Spice her way. “Please have a seat.”

Following his direction, she made her way back to the couch.

He sat in the chair Marvin occupied earlier, though it didn’t swallow him as it did the smaller man. His mouth twisted into a cross between grin and grimace. “So, you’re ready to admit you have the gift?”

Valencia licked her lips, tasting the strawberry of her gloss. “Gift?”

He chuckled, shaking his head as though remembering bygone times. “That’s what your father called it anyway.”

“What did my mother call it?”

His smile died. “A curse.”

She took in a deep breath, filling her lungs with the freshest air she’d had in a very long time. Mom may have tolerated her calling, but she hadn’t embraced it either. The thought gave Valencia surprising comfort. Memories played in her mind like an old movie-reel. The countless times she had to make excuses to friends who saw her “talking to herself”. The guidance counselor she had to convince that she’d only been joking when she told her friend that she heard voices. No, not voices, just one. “I’m ready to admit the voice I hear may be real.”

“That’s a start.” He looked down, his chin nearly touching his sternum, a wisp of white hair flopping forward from his head.

The tick of the cuckoo clock hanging above his chair measured the passing time. When seconds turned into minutes, her impatience ebbed. “What are you doing?”

He peered up with glistening eyes. “I’m praying for you, Ms. Shannon. You’ll need all the help you can get.”

She wrung her hands together and studied him, hoping to gauge his meaning without having to ask.

Suddenly he stood and tugged on the hem of his cardigan to pull it back over his rounded belly. “Our time’s up.”

Warmth flooded over her. “But I have an hour appointment.”

“Sorry, but Marvin needs me.” As soon as the words left his mouth, a dramatic sob bounded from the other side of the closed door.

“How did you—”

He unbuttoned his sweater, removed it, and slid it over the shoulders of his desk chair. “I’m not psychic, Valencia, I’ve treated Marvin long enough to know the sequence of his episodes. We’ll talk again. Please make an appointment with my secretary on your way out.”

She squinted at him. “But, isn’t that Marvin?”



15 comments:

  1. OK, I'll bite.

    The scene is surprising and interesting. I love the ruse with Marvin and her responses. Very good.

    But some of the details are too much. I'd nix a lot of your description to make the writing more crisp.

    This does not move the story forward: Valencia Shannon lay on her back, trying to ignore the lumps of couch cushion jutting into her spine. She gazed at the particles of dust frolicking in a stream of sunlight filtering in through the A-framed ceiling’s wood beams.

    Plus: can a cushion jut? Can dust frolick? We really don't need to know that the nature of the ceiling either. I'd cut it.

    Also, reclining on a divan is not really counselor-ish these days. If this is contemporary, I'd stumble over this.

    I'd nix this: Dirt flecked with white spilled over a yellowed National Geographic.

    It's an unecessary detail that doesn't move the story forward.

    No "bolting upright." It's a bit cliche.

    Overside plaid chair: unnecessary detail.

    THere needs to be a better MRU to the crazy guys airplaning. She says something like, "all hope of his help ..." She needs to give a reaction to a psychologist who pretends to fly, maybe think he's crazy, or worry for her safety. She needs to have a more emotional response to the guy's antics.

    I'd nix "tasting the strawberry of her gloss." Keep it:
    Vanencia licked her lips. "Gift?" Or better yet, she needs to have a gut reaction to what he says (internally). When he says gift, she needs to have her heart race or her palms sweat or have worries, or have her recall hearing that word used by a friend in a derogatory manner. Some sort of emotional response.

    Why would his chin nearly touch his sternum? I tried to do this and it's a pretty extreme angle.

    We could learn more about Valencia if you gave her a reaction to him praying for her. If she's not a praying person, have her react internally or externally to this. Pray? What did he mean, pray? Hadn't she prayed this stupid gift would leave her? What good would prayer do? Something like that.

    I liked the ambivalence in the end about Marvin and the secretary. Brings in mystery.

    Aside from that, I get the sneaking suspicion that this is not really where the story begins. I almost need you to grab me by the neck as a reader, throwing me into the plot so much so that I can't wait to read the next word. What is this book about? If it's about her "gift," is there a scene toward the beginning of the book where she exercises that gift? If so, start with that. Start with a bang, with action.

    Just my two cents. You're a fine writer! Keep at it, Gina.

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  2. Thanks much Mary. You obviously put a lot of thought into your suggestions. Very sweet of you.


    I agree this wouldn't be the most grabbing opening chapter. The first chapter actually begins with a revival and ends with an exorcism. This one comes after that. I didn't choose that one because it was, in my opinion, much tighter, leaving less to pick at and learn from.

    I appreciate your sharing your wisdom with us.

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  3. This critter thinks it's dang near perfect. Good balance of description, humor, getting to know Valencia, making me wonder what this "gift/curse" is all about. I can't wait to see you on a Borders shelf. Won't be long...

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  4. I'd agree that Valencia seemed a little too aware of her surroundings for being in the office for the first time.

    (I've never critiqued onto a different piece of "paper," so I'm sure my punctutation won't be great.)

    Change "Soaked by flying spittle" to "hit by..."

    Love the humor of "But some are"

    "Shaking his head, his expression..." Dangling participle, as his expression is not shaking his head. The noun must make sense.

    Think the humor of him saying the same Payday comment is reaching.

    I'd cut from "Shaking his head" to "Great minds think alike." That gets rid of one cliche, takes the improbable section out, and surprises us with the comment about her mother. But use the dimple comment somewhere else--I really liked it.

    One sentence that stuck out to me was, "Warmth flooded over her." It's more the heat--though you use that word above--of embarassment or disappointment. "Warmth flooding" sounds positive and sweet.

    I miss her referring to paying for the whole hour and him being late. Takes him cutting it short too well.


    Notice how nit-picky I was? I thought the writing was very good and it's terribly fun to get to see your work. Bravo, Gina! I'm glad this isn't the first chapter, as I'm not sure I would have kept reading long enough to know Marvin was pretending to be the doctor because his behavior seemed so absurd.

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  5. Thanks Janet :)

    Christina, thanks for taking the time. Some good catches.

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  6. Great writing, Gina. It's a definite page turner because I couldn't NOT quit reading (how's that for double negatives?). I kept on and on because it drew me. And your handling of the craft is superb. Couldn't be any better.

    The first chapter "begins with a revival and ends with an excorism?" Shannon's exorcism? If so, why's she still hearing the voice?

    As far as this scene, I LIKE the details. I love the part about the dust particles floating in the air--so visual--I've seen them myself many times. Love the word "frolicking." But that sentence is slightly wordy and I'd cut it to: She gazed at the particles of dust frolicking in a stream of sunlight near the ceiling’s wood beams.

    I like the dirt on the National Geographic and the finger-smudged glasses, etc. But see, I like detail. That's how I write my stories because that's how I am in real life. See how everything in writing is so opinionated? See how everything's so subjective? That's why this biz is so hard.

    I think psy. patients sit. I don't think they lie down anymore.

    I liked the quirkiness of Marvin but after the first couple of weird things, I found myself getting impatient. It started stopping the story for me because I kept thinking, This can't be. This man is too crazy to be the doctor, and obviously he's a dupe, but why? How does he play into Shannon's story? But he WAS fun! I loved your description of him "airplaning" around the room. Great writing! (Again, ALL of this is GREAT writing!)

    The upside down paintings made the story stop for me, too, because I thought, Is this something Shannon's imaginging? Or is she in some place like Alice in Wonderland went into? Or, is this a dream, and at the end she's going to wake up, ah, yes, that's what this is, so the quirkiness WORKS! That's what I started thinking.

    Just a few comments.

    Man, I'd love to read the opening scene of the exorcism. Interesting--we have nearly 30 ministers and wives in our family, and the other day, my brother, who's a minister, was telling us about an exorcism he did, as we sat at the breakfast table. Man, what a story! My husband Milton did an exorcism too. And through the years we've pastored a host of parishioners who needed the devil knocked out of them!! JUST KIDDING, JUST KIDDING, JUST KIDDING!

    Keep on keeping on, Gina. You've got the gift of writing. The story is what you need to find. I'm kinda' in the same boat.

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  7. I meant to say "Those are just a few comments I quickly thought of" instead of "Just a few comments."

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  8. Thanks Kristy. I'm starting to like detail much more than I used to. No, the exorcism wasn't of Valencia. I don't write about these things anymore. I'm writing more mainstream type stuff now.

    I'm chewing on everyone's suggestions. There are some really good and valid ones. Thanks for taking the time, Kristy et al.

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  9. I'm somewhere between Mary and Kristy. I too think the opening portion drags down the story. Partly because it is not in Valencia's POV. A narrator is telling me what she's doing, what she sees. And that takes away from the story.

    The sentence about the dust frolicking reminded me of the flowery sentences we all wrote when we thought more was better. Less is better. Kristy made some good suggestions.

    The passage really begins with "You're insane." From this point forward, we're in Valencia's POV, and the story starts to draw the reader in. Maybe the description could be moved to be part of her thoughts as she processes Marvin's pronouncement and her reaction, before the real psychiatrist shows up.

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  10. One other thing: all day I thought this (the following), but I was out of pocket and couldn't get to my computer (I was at the beach! yeah!). When I said, "Keep on keeping on, Gina. You've got the gift of writing. The story is what you need to find. I'm kinda' in the same boat.", I meant to say, "Keep on keeping on, Gina. You've got the gift of writing. The story is what you need to find, AND THIS IS PROBABLY IT. I'm kinda' in the same boat."

    I didn't mean to say this won't be your breakout story. I was just reiterating Colleen Coble's frequent advice to the ACFW loop: "You've got to find the right story. Story is what it's all about."

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  11. Patricia, beginning the story with "You're insane." is a great suggestion. I started with some leisurely description purposefully because the chpt before it was an action scene which ended with a punchy dialogue line. I wanted to give the reader time to breathe & clean their palate. But that was a very good idea going just from what you've read. Good editorial eye! (and thanks for taking the time to make suggestions)

    Kristy, this doubtfully will be the story, but like I said, I'm on book 5 so, keeping on am I :)

    Sometimes when we critique, we're guilty of forgetting to say what we like about a piece, some of the things the writer nailed. I know I'm guilty of that with my partners.

    They'll call me and say something like, you really hated it, huh? And I'll say, "Are you kidding? I loved it!" and then I go back and read my critique and my stomach sinks. I never said it. I only pointed out the flaws. You don't seem to struggle with that problem. I'll bet your critique partners love you.

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  12. Relevantgirl wrote my critique for me. I agree with her almost completely.

    Unlike Kristy, I'm not a big fan of description. Your description is done well, but I would recommend cutting it by a third. Personally, I rather give the reader a start and then a prod here or there. Let them use their own imagination.

    p.s. Isn't this from Demon Chaser? I read the first paragraph a year or two ago. For what it's worth, I concluded the same then. Good opening, but it took Valencia too long to get to grandma's room, where the action started.

    hope this helps and thanks again for your critique of one of my first chapters about a year and a half ago.

    by the way, you were aware of not pointing out the good back then. First you shredded my chapter and then you later added some things that you liked about it.

    I don't mind an overly zealous critique of my work. I can sort out the bad from the good. It's a mind set. We're looking for flaws, so we find them.

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  13. Dayle, thanks for the comment. You've never read this chapter before but you touched on what made, I think, this book ultimately fail. It took too long to get to the first exorcism by the main character. Very good observation!

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  14. You're right, Gina. I meant to say I read the first chapter. You had it posted at one time.

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  15. I finally got to read something by the amazing miss Gina! LOL!

    Great writing, girl. I did notice two contracitions though.

    One, why does this guy have expensive paintings, yet "threadbare" carpter and worn furniture? There need to be reason for that or it doesn't make sense. And if your protag is that aware of details, wouldn't she notice?

    Two, her internal motivation seems overshadowed by the comical Marvin. I want to feel her struggle more. The ominous sensation of what she fears this appointment might reveal to her.

    Just some thoughts. Thanks for letting me play!

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